Boxar

BOX SET<br/>LIMITED EDITION<br/>SLIPCASE

Släpptes 2012, nu med en extraCD och DVD-A 5.1.

Alcatrazz: Official bootleg box set vol 2 83-84 [5 CD]

Signades till Stiff 1977 och släppte klassikern Suffice to say, sedan till Radar och avslutade karriären med en singel på Demon. Här deras två album på var sin CD och en CD med singlarna,<br/>B-sidor och rariteterna.

Rolling Stones: Black and Blue (Box) [4 CD + Blu-ray]

Before his death in January, legendary guitarist Jeff Beck revisited concert recordings made by Beck, Bogert & Appice, the power trio he formed in 1972 with drummer/singer Carmine Appice and bassist/singer Tim Bogert. The live music captures the band at the beginning and end of its short-but-influential partnership, with two shows in Japan in 1973 and one of the group's final performances in London a year later.<br/><br/>All three band members were involved in creating LIVE IN JAPAN 1973, LIVE IN LONDON 1974, and the collection is dedicated to Beck and Bogert, who died in 2023 and 2021, respectively. The set includes an expansive booklet with extended liner notes detailing the group's history by music journalist/manager Bruce Pilato, along with memorabilia, archival photos, and a replica poster.<br/><br/>Beck and Appice mixed all the concerts in this set from the original multi-tracks that had been in Beck's archive for almost 50 years, thus knocking the many bootleg quality releases, that Beck hated, out of the park! The two performances at Koseinenkin Hall in Osaka, Japan (recorded May 18 and 19, 1973) were released exclusively in Japan a few months after the shows, but never in the U.S. The complete concert at the Rainbow Theatre in London, England (recorded January 26, 1974) has never been released anywhere. <br/><br/>In the booklet, Pilato explores the short existence and lasting legacy of Beck, Bogert & Appice, a supergroup that critics once hailed as "the first successor to Cream" (Melody Maker) and an "ensemble of virtually unparalleled magnificence" (NME). <br/><br/>LIVE IN JAPAN 1973 was recorded only a few weeks after Beck, Bogert & Appice's self-titled debut came out. The music ripples with raw energy as the group delivers exhilarating live versions of nearly every song on the album, including "Superstition," "Lady," and "Livin' Alone." The trio also played songs by the Yardbirds ("Jeff's Boogie") and the Jeff Beck Group ("Morning Dew" and "Going Down.")

Universal Music Recordings is proud to announce a new box set celebrating a breakthrough year in the life of one of the greatest rock bands of all time. Thin Lizzy.<br/> <br/>THIN LIZZY 74-75 - NIGHT LIFE / FIGHTING is the follow-up to the best-selling and critically acclaimed follow-up to the best-selling and critically acclaimed THIN LIZZY 76. The 7CD set features new stereo mixes and the original versions of the studio albums released by the band in 1974 and 1975, 'Night Life' and 'Fighting'. The other discs contain unreleased versions from the band's vault, radio sessions, demos and a live show from Derby College of Technology recorded on November 21 1975. <br/> <br/> <br/>THIN LIZZY 74-75 - NIGHT LIFE / FIGHTING is housed in a 10 x 10 box with a 40-page hard-backed book with sleeve notes by renowned music writer Mark Blake and packed with rare photos.<br/> <br/>By mid-1974, Thin Lizzy were at a crossroads; they'd had a hit, Whiskey In The Jar, which they hated, and guitarist Eric Bell's lifestyle choices led to him being fired, and a young Gary Moore was drafted in for a tour and some demos. Scott Gorham, a twenty-something American guitar player, had come to London on the vague promise of a gig in his brother-in-law's band Supertramp, but it turned out they weren't hiring after all. <br/> <br/>Thin Lizzy's rhythm section, Phil Lynott on bass & vocals, and drummer Brian Downey set up base camp at the Iroko Country Club, an African restaurant/bar on North London's Hampstead Hill, to audition new guitarists after Moore left to do his own thing. One of the early candidates was 'Robbo', an eighteen-year-old Glaswegian Brian Robertson, who arrived three weeks after auditions began. However, Lynott was looking for something else, and it soon became apparent that he was looking for two guitarists in the band. "The thing is, I'd never heard of Thin Lizzy or any of their music," admits Gorham. "I was the complete underdog." However, Gorham got the gig, and Lizzy signed to Phonogram Records' rock imprint Vertigo. But there'd been some sleight of hand involved, Vertigo had been impressed by Lizzy's last demo, especially Gary Moore's playing on the ballad 'Still In Love With You'. <br/> <br/>Making 'Night Life' was a baptism of fire for Thin Lizzy's new recruits. The line-up had only been together a few weeks before Vertigo put them in London's Trident Studios with American producer Ron Nevison, who had engineered The Who's Quadrophenia and Bad Company's best-selling debut. The two guitarists complemented each other, with Robertson's rigorous, blues-based sound counterbalanced by Gorham's freer approach. However, Gary Moore's version of 'Still In Love With You' made it onto the finished album. 'Night Life' was released on November 8, 1974, with a cover illustration by artist Jim Fitzpatrick, whose black panther surveying an urban landscape acknowledged the Black Panthers' political organisation. The album stalled outside the Top 50, though. "I think Ron made the album he wanted to make," offers Gorham. "My frustration is the original record never sounded the way we did on stage."<br/> <br/>Downey is more sanguine about the record: "It was our first album with two musicians that had never been in a studio before. Making an album as good as that was a big achievement, whether it sold any copies or not."<br/> <br/>Lizzy's steep learning curve continued through March and April 1975, on their first trip to the US, opening for Canadian rockers, Bachman-Turner Overdrive. After Bachman-Turner Overdrive, Lizzy opened for ZZ Top, Rush and Bob Seger And The Silver Bullet Band before flying home. Thin Lizzy's cover of Bob Seger's 'Rosalie', the live version of which would later give Lizzy a top 20 hit, would be included on their fifth album, which, after being unsatisfied with the experience on 'Night Life', would be produced by Lynott alone with engineer Keith Harwood, fresh from David Bowie's Diamond Dogs and the Rolling Stones' It's Only Rock'n'Roll.<br/> <br/>'Fighting' had more edge and focus than 'Night Life'. "America influenced us," suggests Downey. "If we hadn't gone to America, I don't know how 'Fighting' would have turned out. We saw how much hard rock was accepted in America, and this changed our direction." The LP cover, though, would cause red ace faces for decades to come; the British version of the album showed them in a Westbourne Grove alley, staring down the photographer's lens, brandishing weapons: Robertson held a knife and Downey and Lynott various lengths of pipe. "If there was a chart for the worst album covers of all time, that would be in the top ten," laughs Gorham, who has no idea why he wasn't given an offensive weapon and just stood with his arms folded.<br/> <br/>Released on September 12, 1975, Fighting peaked at Number 60 in the UK. "I don't know if we were disappointed," says Robertson. "Because it did better than Night Life."<br/> <br/>Thin Lizzy finally achieved their much-needed breakthrough in 1976. Their reputation would be forged with the groundbreaking Jailbreak, Johnny The Fox and Live And Dangerous albums. But the road to victory began in 1974 and 75.