Pop, Rock & Punk

Legendariska och banbrytande Träd, Gräs och Stenar räknas som Sveriges äldsta rockband inom psykedelisk undergroundmusik. Gruppen bildades ursprungligen 1967 under namnet International Harvester, blev sedan Harvester och utvecklades så småningom till Träd, Gräs och Stenar. Deras unika blandning av psykedelisk rock och svensk folkmusik var banbrytande då - och fortsätter att tala till nya generationer lyssnare än idag.<br/><br/>Det här efterlängtade "Gröna albumet" från 1970 var deras allra första utgivning under namnet Träd, Gräs och Stenar. Nu återutges det för första gången sedan originalsläppet - på vinyl, med sällsynta fotografier, en fördjupande text och en 30x60 cm stor poster.<br/><br/>Decennier senare lever bandet vidare under namnet TRÄDEN, nu med endast en ursprungsmedlem kvar. Han har sällskap av en ny generation hyllade musiker, som för arvet och ljudbilden från Träd, Gräs och Stenar vidare in i framtiden.

Innerfickan är signerad av Zara.

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."

Jethro Tull celebrates the 50th anniversary of their eight studio album, Minstrel in the Gallery, with a new marbled vinyl. Originally released on 5th September 1975, the album saw the band going in a different direction from their previous work and returning to a blend of electric and acoustic songs. The new 1LP is using Steven Wilson's remix of the album.<br/><br/>That juxtaposition of acoustic and electric has been a feature of Jethro Tull's music throughout their career, but is perhaps never better exemplified than on Minstrel In The Gallery which, after earlier albums' tags of 'blues' and 'prog', is unequivocally a 'rock' album, albeit with a maturity and sophistication both lyrically and harmonically which highlighted Tull's originality.<br/><br/>It was the last album of theirs to feature bassist Jeffery Hammond. Minstrel in the Gallery was a top 20 album across the world and has since been certified gold in the US and Canada and silver in the UK.

Good The Bad and The Zugly: November boys... [Vinyl LP]

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."

Robert Plant's Saving Grace, his first album with a new band of distinguished players, is what he calls "a song book of the lost and found." Its genesis was during lockdown in "The Shire," when Plant's customary wandering was all but forbidden. It was in the English countryside that he connected closely to this diverse group of musicians-vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown-who had a shared lean towards his corners of evocative song. Produced by Plant and the band and recorded over six years in the Cotswolds and on the Welsh Borders, Saving Grace breathes fresh life into a treasury of songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.