Raspberry Pi Foundation

Robert Plant's Saving Grace, his first album with a new band of distinguished players, is what he calls "a song book of the lost and found." Its genesis was during lockdown in "The Shire," when Plant's customary wandering was all but forbidden. It was in the English countryside that he connected closely to this diverse group of musicians-vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown-who had a shared lean towards his corners of evocative song. Produced by Plant and the band and recorded over six years in the Cotswolds and on the Welsh Borders, Saving Grace breathes fresh life into a treasury of songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.

Ett år efter sin systers försvinnande, beger sig Clover och hennes vänner mot den avlägsna dalen där systern försvann i jakt på svar. I ett övergivet besökscenter blir de mördade en efter en, bara för att återuppleva kvällen igen - varje gång med ett nytt skrämmande hot. Med begränsat antal dödstillfällen kvar, måste de överleva gryningen.

Robert Plant's Saving Grace, his first album with a new band of distinguished players, is what he calls "a song book of the lost and found." Its genesis was during lockdown in "The Shire," when Plant's customary wandering was all but forbidden. It was in the English countryside that he connected closely to this diverse group of musicians-vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown-who had a shared lean towards his corners of evocative song. Produced by Plant and the band and recorded over six years in the Cotswolds and on the Welsh Borders, Saving Grace breathes fresh life into a treasury of songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.

Boxen innehåller sex fristående filmer baserade på Maria Langs böcker om kommissarie Christer Wijk, Puck and Einar Bure.<br/><br/>Originaltitlar:<br/>Maria Lang - Mördaren ljuger inte ensam<br/>Maria Lang - Kung Liljekonvalj av Dungen<br/>Maria Lang - Inte flera mord<br/>Maria Lang - Rosor, kyssar och döden<br/>Maria Lang - Farliga drömmar<br/>Maria Lang - Tragedi på en lantkyrkogård

På sitt album "Hemland" tolkar Titiyo svenska låtar som hon inspirerats av genom åren men som också säger något om samtiden - och vad hon själv har för förhoppningar på framtiden.<br/>Första singeln "Sakta lägger båten ut från land" må vara skriven av Bob Dylan men förutom att Titiyo tillsammans med Daniel Bengtson från Studio Rymden tar versionen från El Rojo Adios och lyfter dess produktion lånar hon översättningen av Mikael Wiehe.<br/> <br/> <br/>I år har det gått tio år sedan Titiyo första svenskspråkiga fullängdare, den i stora stycken självbiografiska "13 gården".<br/>Under det gångna decenniet har hon varit med om åtskilliga höjdpunkter, som att bli mamma igen, men hon har också upplevt hur världen och livet förändrats.<br/>Allt det här har funnits med vid skapandet av "Hemland", det kommande albumet där hon tolkar svenska låtar som hon inspirerats av genom åren men som också säger något om henne och om samtiden - och vad hon själv har för förhoppningar på framtiden.<br/>- Det är alltid emotionellt att spela in en skiva men den här gången blev det ännu mer påtagligt, säger hon. Det är så starka låtar som allihop uttrycker så mycket, men också för att jag gått igenom en tung period där jag tvingats känna efter och gå till botten med saker. Då har det varit väldigt skönt att ha kreativiteten och den här skivan att hålla i handen. Det känns som att jag går in i en ny fas nu.<br/>Första smakprovet från albumet är en låt som hon redan har gett ut, men då på engelska. 2012 släppte Titiyo en platta med sidoprojektet El Rojo Adios där hon gjorde en gastkramande tolkning av Bob Dylans "It's All Over Now, Baby Blue", som har blivit något av en publikfavorit. Nu gör hon den på nytt, fast med texten lånad från Mikael Wiehes översättning (från 1978 års album "Sjömansvisor"). <br/>- Det gick förvånansvärt lätt att hitta in i den svenska texten och få den att landa naturligt, säger Titiyo.

Fearless is the definitive career-spanning anthology from Ronnie Wood - legendary guitarist, master songwriter, and global rock icon. <br/>This double album tells the story of Ronnie's extraordinary musical journey, from his earliest recordings as a teenage prodigy in the 1960s to four brand-new tracks, his first new solo material since 2010's 'I Feel Like Playing'.<br/>Featuring standout moments from all seven of his solo studio albums, as well as co-writes and essential moments with the Rolling Stones, the Faces, Rod Stewart, Ronnie Lane, the Jeff Beck Group and more.<br/>Twice inducted into the Rock and Roll Hall of Fame and a cornerstone of The Rolling Stones since 1975, Ronnie Wood's name is etched into the DNA of rock music.<br/>From his earliest steps in the studio right through to its quartet of new tracks, 'Fearless' celebrates a virtuoso guitarist, gifted songwriter, performer, sometime frontman and international treasure. It's a fitting compendium of 60 years and counting of unique creativity.

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."