Jul

För första gången någonsin kommer Roxettes album Baladas En Español på vinyl och innehåller fyra bonusspår jämfört med originalutgåvan. <br/><br/>Limiterad färgad upplaga.

Eurovision Song Contest Vienna 2026 [Gatefold / 3 Vinyl LP]

Live! was the first live album that Status Quo released commercially. The original release in 1977 was recorded over 3 nights between 27th and 29th October 1976, recorded using the Rolling Stones Mobile Studio. 'Live In Glasgow' was the first ever issue of night's 1976 tour presented in its entirety. Live! is regarded as one of the classic Live albums from the seventies and one of Quo's most memorable live sets. This one complete recording of one setlist from the same tour shows the band at their loud 'n' furious peak, with all the original 1970s lineup in full effect.

Iron Maiden: Fear of the dark [2 Vinyl LP]

Venom: Into oblivion (Splatter) [Gatefold / 2 Vinyl LP]

Top-charting originators of thrash EXODUS have emerged hungrier than ever in 2026. Resurging at full force with their 12th studio album and Napalm Records debut, Goliath (out March 20, 2026), the band reinforces their eternal foothold at the top of thrash metal&#039;s hierarchy with 10 of their most diverse, anthemic emissions to date. Further fueled by the widely embraced return of iconic late-era frontman Rob Dukes - first appearing on 2005's Shovel Headed Kill Machine - the album boasts what the band describes as the performance of his life. Goliath is EXODUS' most collaborative record in their four decade-plus history, featuring songs written by several band members and guest contributions from Peter Tägtgren (Hypocrisy, Pain) and violinist Katie Jacoby.

The Tower of Babel of performances and recordings of Sergei Rachmaninoff's music pleases the ear and the sight of the music lover today as it has been throughout the 20th century. In that Tower one can easily distinguish the voices of Rachmaninoff's music's "native speakers" - performers who spoke Rachmaninoff's mother's tongue, breathed the same air and enjoyed the same autumnal landscapes in childhood. In fact, it is the Tower of its own: looking through the list of Rachmaninoff's works and the names of Russian and Soviet performers in the Rachmaninoff Collection offered by legendary label Melodiya on the composer's 145th anniversary, one can assume just that. To a great surprise of the scholars and amateurs, such a collection has never been assembled previously. The "Russian idiom" (if we are to continue with the metaphor) has never been presented in such a massive and powerful way, reaching the "critical mass" that may lead to important conclusions about the Russian musical style and interpretation in general. The list contains the names of great singers from the generation of Soviet classics such as Irina Arkhipova, Ivan Kozlovsky, Georgy Nelepp, Elena Obraztsova, Mark Reisen, to the most current internationally renowned stars such as Hibla Gerzmava. One can find a smorgasbord of chamber music performed by the exceptional ensembles and individuals such as David Oistrakh, Leonid Kogan, Mstislav Rostropovich, Gidon Kremer and Daniil Shafran. An unusual component in the collection is the recordings of Rachmaninoff's Russian Orthodox church music - something that was carefully shoved under the rug in the Soviet times. The operas are represented by the best that the country could give - and here, for sure, the native Russian diction raises the level of performance to the classical height. And, of course, that poetics of the piano, in which Sergei Rachmaninoff expressed himself in the most unencumbered way, is represented in the Collection by the names that do not need promotion: Sviatoslav Richter, Emil Gilels, Grigory Sokolov, Vladimir Krainev, Alexei Nasedkin, Pavel Serebryakov - the list goes on until it reaches the latest acquisition on the Montparnasse of piano, Dmitry Masleev. For the connoisseurs, the Collection offers rare examples, many of them previously unreleased by Melodiya, together with those delicious brand-name tube-mic recordings that carry an unrivaled human quality and a tint of nostalgia. The edition comprises 33 CDs and 1 LP with previously unreleased recordings (Piano Concerto No. 2 performed by Vladimir Krainev and the Leningrad Philharmonic Orchestra conducted by Yuri Temirkanov; and Vocalise orchestrated by the composer and performed by the Moscow Philharmonic Orchestra conducted by Dmitri Kitaenko). The edition includes a booklet in four languages (Russian, English, French and German).