Pop, Rock & Punk

The final installment in the hugely successful ERA boxes, the sixth boxset includes Bowie's final recordings covering the period from 2002 - 2016. It comprises 4 studio albums, 2 EPs, 2 Live albums and the usual Re:call compilation. <br/><br/>128 page hardback book<br/><br/>Heathen (Remastered) (1CD)<br/><br/>Montreux Jazz Festival (2CD) (Previously unreleased)*<br/><br/>Reality (Remastered) (1CD)<br/><br/>A Reality Tour (Remastered & Re-sequenced) (2CD)<br/><br/>The Next Day (Remastered) (1CD)<br/><br/>The Next Day Extra (Remastered) (1CD)<br/><br/>Blackstar (1CD)<br/><br/>No Plan (1CD)<br/><br/>Re:Call 6 (Non-album singles, edits, single versions, b-sides and soundtrack music) (Remastered) (3CD)*

"The Beatles Anthology" Documentary Series.<br/>Now a Nine-Part Series Featuring a Brand-new Episode Nine.<br/><br/>The Beatles' landmark "Anthology" documentary series has been restored and remastered. <br/>The series' original eight episodes trace the legendary journey that began in Liverpool and Hamburg and soon captivated the world. They bring to life the timeless stories - of Beatlemania, the band's groundbreaking arrival in the USA, their role at the forefront of the 1960s counterculture, their spiritual exploration in India, and their eventual breakup. And through it all, the constant thread: the music, always the music.<br/>There is now a completely new Episode Nine, including unseen behind-the-scenes footage of Paul, George and Ringo coming together between 1994 and 1995 to work on "The Anthology" and reflecting on their shared life as The Beatles. <br/>The restoration has been overseen by Apple Corps' production team, working with Peter Jackson's Wingnut Films & Park Road Post teams along with Giles Martin, who has created new audio mixes for the majority of the featured music.<br/><br/>The musical side of The Anthology Collection, originally curated by George Martin, now remastered by Giles Martin, in the form of three double albums of rare material, a shadow story to the one told in the documentaries. They are an enthralling insight into the early development of songs that became the recorded masterpieces that resonate just as loudly today as they did when they were first recorded. <br/>It also has an important new element. Anthology 4, newly curated by Giles, includes 13 previously unreleased demos and session recordings and other rare recordings. It also includes new mixes of The Beatles' Anthology-associated hit singles: the GRAMMY-winning "Free As A Bird" and "Real Love," given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals. <br/>The original "Free As A Bird" music video has also been beautifully restored.<br/>Both new mixes are placed alongside the band's most recent UK No. 1 hit single, 2023's GRAMMY-winning "Now And Then," the last Beatles song. All three singles were created from rudimentary home demos John recorded in the 1970s, later completed with vocal and instrumental parts recorded by Paul, George and Ringo.<br/>Across all the Anthology albums, there are 191 tracks which will be released on November 21 by Apple Corps Ltd./Capitol/UMG for digital purchase and streaming, and in deluxe 12LP 180-gram vinyl and 8CD box sets. Both box sets include the original sleeve notes for Anthology 1, 2 and 3; the new Anthology 4 includes track notes written by Kevin Howlett and an introduction compiled from 1996 interviews recorded with The Beatles' close friend and adviser Derek Taylor.

Suede har sedan starten varit en banbrytande kraft inom den brittiska rockscenen och har med sina glamorösa och dramatiska melodier haft en avgörande betydelse för 90-talets britpop-era. Med ett flertal topp 10-album, inklusive deras kritikerrosade nionde album, "Autofiction" (2022) - som var deras högst placerade på över 20 år - bevisar bandet att de fortfarande är lika relevanta och vitala.Nu släpper Suede sitt tionde studioalbum, "Antidepressants". Albumet är en milstolpe som visar bandet i absolut toppform.

Bush Stan: Born to battle 2025 [CD]

Saint Etienne&rsquo;s new album, International, is their final album-length statement, after the group&rsquo;s 35-year excursion through pop. A dreamlike drift with friends and collaborators, International features cameos from the higher echelons of pop - 80s chart heroes, electro, acid house and all points in-between, from Vince Clarke to Nick Heyward, Confidence Man to Erol Alkan, Chemical Brothers, Orbital, Doves and Xenomania, through to the lesser known, but equally exhilarating Bradfordians Augustin Bousfield and Flash Cassette (an artist described as &ldquo;sitting somewhere between Funkadelic and a SEGA Mega Drive&rdquo;). Saint Etienne are the 90s band who never left us, never imploded, and never adhered to clich&eacute;d excess. They are a testament to getting along, getting on with creating something new and, of course, getting away with it.

Efter mer än två decennier och åtta studioalbum är Hot Chip fortfarande lika vitala: lekfulla, djupsinniga och ständigt i groovet. "Joy In Repetition" är en samling, deras första, som speglar deras artistiska utveckling från DIY-början till "den största brittiska popgruppen i sin generation" (The Guardian) och som formats av dansgolv, hemmastudior, festivalscener och vänskap.

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."