Reggae

Live On Fire At The Agora 1976 captures the Dwight Twilley Band at the peak of its onstage powers. Twilley, partner Phil Seymour, lead guitarist Bill Pitcock IV, and an expanded band lineup tear through songs from the band's classic debut, Sincerely, their then-forthcoming second record, Twilley Don't Mind, and several tunes from Dwight Twilley Band's deep well of non-album material. Live On Fire At The Agora 1976 is a professional multitrack recording mixed by the band's in-house engineer and soundman, Jim Barth. This CD release features newly written liner notes by SiriusXM's Deep Tracks radio host Greg Roberson plus exclusive interviews with the living participants.

Santana: Moonflower 1977 [2 CD]

Moomin - Puzzle 1000 Pcs Art Puzzle Blue

Just Dance 2020 (Code in a Box) (FR/Multi in Gam [Switch]

En kanonsamling med Dr Hook, som hade en lång rad Guld- och Platinasäljare i Sverige på 70- och 80-talet. Här får vi 20 digitalt remastrade hits i toppljud.

Martin Fröst, clarinet<br/>Janine Jansen & Boris Brovtsyn, violins;<br/>Maxim Rysanov, viola; Torleif Thedéen, cello;<br/>Roland Pöntinen, piano<br/><br/>Johannes Brahms's Clarinet Quintet is core repertoire, not just for clarinettists but also in the entire chamber music genre. As such, it has been on Martin Fröst's 'to-be-recorded list' for a long time, and when he gathered a dream-team of string players for a concert in Stockholm in February 2013, it was the perfect opportunity for BIS to organize a recording session. Brahms's Quintet was written in 1891 by a composer who only a year previously had renounced composing, but whose creative urge had been reawakened by his encounter with the leading clarinettist of the time, Richard Mühlfeld. Some 120 years later, Fröst - one of today's most highly regarded musicians and the recipient of the 2014 Sonning Prize - steps into Mühlfeld's shoes, in the company of Janine Jansen, Boris Brovtsyn, Maxim Rysanov and Torleif Thedéen. As a complement to this substantial work - with a duration of almost 35 minutes - Martin Fröst has transcribed six much-loved songs by Brahms, performing them with his chamber music partner of long standing, the eminent pianist Roland Pöntinen. The songs, composed between 1866-1886, range from high lyricism (Die Mainacht) to bitter-sweet nostalgia (Wie Melodien...), via the humourous Vergebliches Ständchen. To these new recordings has been added a substantial 'bonus' - Martin Fröst's performance with Pöntinen and Thedéen of the Trio for clarinet, cello and piano, which Brahms composed for Mühlfeld in the same year as the quintet. Originally released in 2005, the recording of the Trio received a warm welcome, including an Editor's Choice in Gramophone, as well as a 'Disc of the Month' on website ClassicsToday.com.

Rogefeldt Pugh: Guldgruvan/Kuriosa 1968-2002 [CD]