Vinyl LP

Swedish high energy rockers THE HELLACOPTERS have been celebrating their 30th anniversary recently and after releasing something new - the much-lauded "Overdriver" album on January 31, 2025, which reached No. 1 in the Swedish charts for the second time in the group's career - it is time to offer their dedicated fanbase something truly nostalgic. "Cream Of The Crap! Collected Non-Album Works o Volume 3" is the long-overdue follow-up in a series of rarities collections started in 2002 combining material from a myriad of singles, EPs, and compilations. The 24 tracks featured in this set have originally been released between 1995 and 2004, and include originals like 'Disappointment Blues', 'Freeway To Hell', 'Doggone Your Bad-Luck Soul' and 'Long Gone Losers' as well as many cover versions of songs by Motörhead, Wilson Pickett, MC5, Smokey Robsinson, Alice Cooper, the Ramones, the Nomads, and Adam West - whose singer Jake Starr penned liner notes for this release - and many, many more. Meticulously compiled by Robert Eriksson, transferred from master tapes and vinyl by Henke Jonsson, and remastered for maximum audio fidelity by Magnus Lindberg, THE HELLACOPTERS proudly present a stunning collection of incredible, high-octane rock'n'roll on this over 75 minutes long double vinyl.

Megadeth: Megadeth (Marbled Red) [2 Vinyl LP]

Megadeth: Megadeth [2 Vinyl LP]

On the exact day of its Golden Jubilee, STATION TO STATION will be issued as a limited edition 50th anniversary half-speed mastered picture disc LP with a reproduction of a poster used to advertise the album 50 years ago.<br/><br/>The album saw Bowie relocate to Cherokee Studio in Los Angeles and incorporate elements of his 'Plastic Soul' period, coupled with much more experimental elements, which would become more prevalent over his next couple of albums. The first single from the album GOLDEN YEARS, released in November 1975, would give Bowie a top ten single on both sides of the Atlantic. The second single, TVC 15, would, a decade later, be heard and seen by almost 2 billion people when Bowie chose it to open his set at Live Aid.<br/><br/>The sound of STATION TO STATION was partly influenced by Bowie's burgeoning interest in the electronic music and driving rhythms of bands coming out of Germany, such as NEU! and Kraftwerk, most notably on the ten-minute title track, while still embracing dancefloor-friendly grooves in songs such as STAY and GOLDEN YEARS.<br/><br/>Harry Maslin, who had worked with Bowie on some of the tracks on his previous album, YOUNG AMERICANS, was chosen as Bowie's co-producer. They entered the studio in September 1975 with a tight stripped-down band featuring Carlos Alomar & Earl Slick on guitars, George Murray on bass, Dennis Davis on drums, David's Childhood friend Geoffe MacCormack (under the nom de plume Warren Peace) on backing vocals and on loan from Bruce Springsteen's E-Street Band, Roy Bittan on piano and organ. Maslin has since said that the vocals on the standout track WILD IS THE WIND and GOLDEN YEARS were both Bowie's first takes.<br/><br/>Ten days after the album's release, David started the ISOLAR TOUR, which visited over 65 dates in 11 countries and is cited as being hugely influential for its use of banks of fluorescent white light set against black backdrops. At the end of the tour, Bowie started work on Iggy Pop's debut solo album, The Idiot, when the pair and producer Tony Visconti moved to Berlin to mix the record. David settled there, ready to begin his next groundbreaking musical adventure.<br/><br/>This new pressing of STATION TO STATION was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.

Ace Of Base: The bridge (30th anniversary/Red) [2 Vinyl LP]

Webber Andrew Lloyd: Evita [Vinyl LP]

The Köln Concert - den banbrytande inspelningen av Keith Jarretts improviserade solokonsert på operahuset i Köln - har uppnått legendarisk status sedan den släpptes 1975. Ett ikoniskt album och ett oumbärligt tidsdokument; få liveinspelningar i någon genre har hyllats lika brett. I essän som ingår i 50-årsjubileumsutgåvans omslag diskuteras konsertens sammanhang i detalj. The Köln Concert, inspelad den 24 januari 1975 och ursprungligen utgiven den 30 november samma år, producerades av Manfred Eicher.<br/><br/>För 50-årsjubileet släpps den speciella 2-LP-utgåvan i ett högkvalitativt tip-on-gatefold-omslag med ett fastklistrat 8-sidigt häfte som innehåller en ny essä på tyska och engelska, samt både originalfotografier och nya bilder. Utgåvan inkluderar även ett konsttryck med ett foto och Keith Jarretts tryckta signatur.