WMS

Returning to a heavier, more aggressive sound, in 1975 Black Sabbath delivered their sixth classic album in a row. Taking almost a year to complete, Sabotage is Black Sabbath at their best and possibly their most musically experimental. Brought up to date for 2021 is the original album newly remastered as well as a full concert recorded on the 1975 Sabotage Tour of North America. In addition to a selection of tracks from Sabotage, this live album includes the Black Sabbath classics War Pigs, Iron Man and Paranoid. Also included in this super deluxe edition is a replica of the rare Japanese single 'Am I Going Insane (Radio)', which completes the audio package for this fan-friendly deep dive into the classic Black Sabbath album, Sabotage.<br/><br/>Vinyl box set includes:<br/>- Original album newly remastered<br/>- Complete 3LP live concert from the 1975 Sabotage Tour of North America (pressed on 180g vinyl)<br/>- Am I Going Insane (Radio) Japanese replica 7'' single<br/>- 1975 Madison Square Garden replica concert book<br/>- 40-page book with photos, artwork and liner notes<br/>- Sabotage 1975 Tour colour poster

Never Before Released Set Captures Young And Crazy Horse's Electrifying 1990 Show In Santa Cruz, California And Includes Live Versions of Songs from Ragged Glory.

The fourth installment in Neil Young's Official Release Series (ORS): a box set that includes his classic '80s records Hawks & Doves, Reoacotor, and This Note's for You, as well as his Eldorado EP, previously released only in Japan and Australia. <br/><br/>The ORS Vol 4 collects an eclectic set of decade-spanning sounds. Hawks & Doves (1980) revisits his folk roots and explores some of his most country-leaning offerings; the blistering Reoacotor (1981) showcases a stomping set of heavy, overdriven rock with Crazy Horse; and This Note's for You (1988) casts Young as a big band leader, belting out intricately arranged blues. The Eldorado EP (1989) is full of feral distortion and earthy crunch featuring Young backed by The Restless (Chad Cromwell and Rick Rosas). It includes two thundering tracks - "Cocaine Eyes" and "Heavy Love"- not available on any other album.

Whitesnake: Live/In the still of the night [Gatefold / 2 Vinyl LP]

Black Sabbath's first official live album, Live Evil, celebrates its 40th anniversary this year with a new Super Deluxe Edition that introduces newly remixed and remastered versions of the acclaimed double album.<br/><br/>The collections feature two versions of the legendary album: a newly remastered version by Andy Pearce along with a new mix created from the original analog multi-tracks by longtime band associate Wyn Davis. The physical versions also come with illustrated hardback books that include new liner notes and replicas of the concert book and poster from the Mob Rules tour.<br/><br/>40th Anniversary Remaster (CDs 1-2)<br/>40th Anniversary New Mix (CDs 3-4)

Håkan Hellströms älskade album "Ett kolikbarns bekännelser" firar 20 år - och det firas med en superfin imiterad jubileumsutgåva. Det är en återutgivning på gul transparent vinyl, med präglat omslag i ny jubileumsdesign, tidigare outgivna foton och ett unikt tygmärke.

On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP.<br/><br/>The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., 'FAME', co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.<br/> <br/>The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. <br/> <br/>During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). <br/> <br/>When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December '74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles 'ACROSS THE UNIVERSE' and a new collaborative composition, 'FAME' at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin.<br/> <br/>Bowie opted not to tour following YOUNG AMERICANS' release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. <br/> <br/>This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.