Arrow Video

<b>OBS! Import.</b> Kontrollera att språk och textning passar dig.<br/><br/>A battleship is captured by a disgruntled CIA man and his small private army, who pose as a rock band. The only man who can save the vessel, which has nuclear capability, is Ryback (Steven Seagal), the ship's cook and former Navy SEAL.<br/><br/><i>Typ: Blu-ray / 4K Ultra HD (Restored Limited Edition)</i>

Importutgåva!<br/> <br/>En klassisk western som knappast kan ha gått dig förbi, nu i en specialutgåva med massor av intressant extramaterial.<br/>I sällskap av två pistolmän tar "Mannen utan namn" upp jakten på en förmögenhet stulet guld. Samarbetet faller sig inte naturligt för dessa hårdnackade och laglösa män. De upptäcker snart att deras största utmaning är att hålla huvudet kallt - och att överleva.

Clint Eastwood and Lee Van Cleef star in this spaghetti Western directed by Sergio Leone. Bounty hunters the Man With No Name (Eastwood) and Colonel Douglas Mortimer (Van Cleef) are separately hunting the ruthless bandit El Indio (Gian Maria Volonté), who is responsible for multiple bank robberies and murders. After confronting each other, they reluctantly agree to join forces and the Man With No Name earns a place on El Indio's crew as they plan another bank robbery. Will the two men succeed in working together to stop the bandits from continuing their reign of terror? The cast also includes Luigi Pistilli, Mario Brega and Klaus Kinski.

En mystisk revolverman har precis anlänt till San Miguel, en hård, dammig gränsstad där två konkurrerande smugglargäng terroriserar de fattiga invånarna. Han sätter igång en plan för att förstöra båda gangstergängen.

Collection of seven dramas from Swedish writer and director Lukas Moodysson. In 'Fucking Åmål' (1998) schoolgirl Agnes (Rebecca Liljeberg) has a crush on her classmate Elin (Alexandra Dahlström). While Agnes is shy and withdrawn, Elin hangs out with the popular crowd at school, and the chance that she might reciprocate Agnes' feelings seems remote. However, when a boring night in their small home town of Åmål throws the two of them together, they discover a mutual wish to escape their confines. After attempting to hitchhike to Stockholm, the two girls eventually kiss. Agnes is excited that Elin has finally noticed her, but will Elin be able to overcome her discomfort at the thought of loving another girl? 'Together' (2000) is a culture-clash comedy set in 1975 and follows bourgeois mother of two Elisabeth (Lisa Lindgren), who has tired of her husband Rolf's abusive and drunken behaviour. She moves out with her two children to stay with her brother Goran (Gustav Hammarsten) who lives in a hippy commune. The move proves challenging to everyone in the commune as Elisabeth's materialistic lifestyle conflicts with the idealism of the other inhabitants. 'Lilya 4-Ever' (2002) is a controversial drama about a young girl abandoned by her family. Living in the poverty-stricken former Soviet Union, Lilya (Oksana Akinshina) descends into a spiral of drink, drugs and prostitution, befriending suicidal teenagers and falling further into a dark and dangerous world. When she meets a man who promises to take her to a better life in Sweden, it's the beginning of an even more harrowing journey into degradation. 'A Hole in My Heart' (2004) is Moodysson's critique of a morally bankrupt and materialistic society. Eric (Bjorn Almroth) and his father Rickard (Thorsten Flinck), live in a run-down apartment in a seedy Stockholm neighbourhood. Eric is shy and withdrawn, but becomes increasingly involved in his father's business of amateur pornography. With his friend Geko (Goran Marjanovic), Rickard begins shooting a home-made pornographic film with actress Tess (Sanna Bråding). As the shoot continues, the participants become less inhibited and more violent, until the apathetic Eric is forced to intervene. In the experimental 'Container' (2006) Jena Malone voices a languid, stream-of-consciousness narrative over grainy black and white footage of a man carrying a woman on his back through a landscape full of rubbish. 'Mammoth' (2009) follows successful couple Leo (Gael Garcia Bernal) and Ellen (Michelle Williams) who lead busy lives and have little time to spend with their young daughter, Jackie (Sophie Nyweide), who is cared for by her Filipino nanny, Gloria (Marife Necesito). When Leo goes to Thailand to do a business deal, Ellen becomes envious of Gloria because of her closeness to Jackie. However, Gloria's own children miss her and soon a tragedy sees her return to her home in Manila. Meanwhile, Leo becomes involved with a working mother while in Thailand, and his actions have a dramatic effect on all those involved. Finally, 'We Are the Best!' (2013) explores the lives of three young girls in Sweden in 1982. Bobo (Mira Barkhammar), Klara (Mira Grosin) and Hedvig (Liv LeMoyne) are bored of the '80s pop music that is sweeping the nation and decide to rebel and form a punk band. As the girls cut their hair, rip up their clothes and refuse to do their chores they attempt to convince their friends and families that punk is not dead.

HIS MIND IS HER PRISON <br/><br/>Sublime, grotesque and visually ravishing, Tarsem Singh's debut feature delivers on the extraordinary artistry of his work in music video and commercials as it takes the audience on a journey through the bizarre worlds inside the mind of a killer.<br/><br/>When serial murderer Carl Stargher (Vincent D'Onofrio) falls into a coma with his latest victim still trapped in an unknown location and waiting to die, the FBI turn to psychologist Catherine Deane (Jennifer Lopez) for help. Using an experimental technology she enters the dark dreamscape of Stargher's mind, attempting to learn his secrets before it's too late. But his unconscious is a twisted nightmare, a labyrinth that threatens to trap her inside his terrifying world forever. To save a life, she'll have to risk her own. <br/><br/>With a script by Mark Protosevich (I Am Legend), and a supporting cast that includes Vince Vaughn (Brawl in Cell Block 99) and Marianne Jean-Baptiste (In Fabric), The Cell is a gripping, edge-of-the-seat thriller, filled with jaw-dropping imagery that will entrance and unsettle in equal measure. <br/><br/>2-DISC 4K ULTRA HD LIMITED EDITION CONTENTS<br/>Brand new 4K restorations of both the 107-minute Theatrical Cut and the 109-minute Director's Cut by Arrow Films, approved by director Tarsem Singh <br/>Includes bonus disc containing a previously unseen version of the film with alternate aspect ratio and alternate grading created by director of photography Paul Laufer <br/>Original lossless DTS-HD MA 5.1 audio <br/>Optional English subtitles for the deaf and hard of hearing <br/>Illustrated collector's book containing new writing on the film by critics Heather Drain, Marc Edward Heuck, Josh Hurtado, and Virat Nehru <br/>Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Peter Savieri <br/><br/>DISC 1 - FEATURE & EXTRAS (4K ULTRA HD) <br/>4K Ultra HD Blu-ray(tm) (2160p) presentation of both the Theatrical and Director's cuts of the film in its original 2.39:1 aspect ratio with Dolby Vision (HDR10 compatible) <br/>Brand new audio commentary with film scholars Josh Nelson & Alexandra Heller-Nicholas <br/>Brand new audio commentary with screenwriter Mark Protosevich & film critic Kay Lynch <br/>Archive audio commentary with director Tarsem Singh <br/>Archive audio commentary with director of photography Paul Laufer, production designer Tom Foden, makeup supervisor Michèle Burke, costume designer April Napier, visual effects supervisor Kevin Tod Haug, and composer Howard Shore <br/>Projection of the Mind's Eye, a new feature-length interview with director Tarsem Singh <br/>Between Two Worlds, a new in-depth interview with director of photography Paul Laufer <br/><br/>DISC 2 - ALTERNATE VERSION & EXTRAS (BLU-RAY) <br/>Previously unseen version of the Theatrical Cut of the film, presented in 1.78:1 aspect ratio with alternate grading, from a 2K master created by director of photography Paul Laufer <br/>High Definition Blu-ray(tm) (1080p) presentation <br/>Paul Laufer Illuminates, a new interview about the alternate master of The Cell presented on this disc <br/>Art is Where You Find It, a new visual essay by film scholar Alexandra Heller-Nicholas <br/>The Costuming Auteur, a new visual essay by film critic Abby Bender <br/>Style as Substance: Reflections on Tarsem, an archive featurette <br/>Eight deleted/extended scenes with optional audio commentary by director Tarsem Singh <br/>Six multi-angle archive visual effects vignettes <br/>Theatrical trailers <br/>Image gallery <br/><br/>EXTRAS:<br/>Language(s): English, Hard of Hearing Subtitles: English, Interactive Menu, Screen ratio 1 - 2.39:1, Screen ratio 2 - 1.78:1, 5.1 DTS-HD Master Audio, Bonus Footage, Commentary: Josh Nelson and Alexandra Heller-Nicholas (film scholars); Mark Protosevich (screenwriter) and Kay Lynch (film critic); Tarsem Singh; Paul Laufer, Tom Foden (production designer), Michele Burke (make up supervisor), April Napier (costume designer), Kevin Tod Haug (visual effects supervisor) and Howard Shore (composer)., Deleted Scenes, Documentaries: 'Paul Laufer Illuminates'; 'Art Is Where You Find It'; 'The Costuming Auteur'; 'Style As Substance: Reflections On Tarsem'., Image Gallery, Interviews: Tarsem Singh (director); Paul Laufer (director of photography)., Theatrical Cut (107 min.) and Director's Cut (109 min.) included; Bonus disc containing a previously unseen version of the film with alternate aspect ratio and alternate grading created by Paul Laufer; Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Peter Savieri; Six multi-angle archive visual effects vignettes., Trailers

F/X Dödlig Effekt (1986) + F/X2 (1991). Limiterad importutgåva. Först till kvarn!<br/><br/>In the 1980s special make-up effects artists became stars, pushing the boundaries of what could be shown on screen as audiences around the world reacted with shock and delight. No surprise then that sooner or later they'd get a movie that made them the hero. <br/><br/>In F/X: Murder by Illusion, Rollie Tyler (Bryan Brown) is a special effects genius approached by the Department of Justice to fake the death of a gangster about to turn state's evidence. But all is not as it seems. Now someone is trying to kill Rollie, and grizzled cop Leo McCarthy (Brian Dennehy) suspects him of murder. Unable to turn to the police, Rollie goes on the run with only his wits and his special effects expertise to save him. F/X was a smash-hit and a sequel was inevitable. Under the auspices of ace Australian director Richard Franklin (Psycho II), F/X 2: The Deadly Art of Illusion sees Rollie convinced, against his better judgement, to once again use his expertise beyond the silver screen, this time helping to trap a murderer as part of an NYPD sting. When lightning strikes twice and things go wrong, Rollie, his girlfriend Kim (Rachel Ticotin) and her young son Chris are all plunged into danger; only with Leo's help can Rollie keep them safe.<br/><br/>Beloved by a generation of movie fans and featuring two of the most charismatic character actors ever to grace the screen in Brown and Dennehy, F/X and F/X 2 are the kind of charming action-thrillers they just don't seem to be making anymore. Step back into a world of grande illusions!<br/><br/>2-DISC LIMITED EDITION CONTENTS<br/>High Definition (1080p) Blu-ray presentations of F/X and F/X 2 <br/>Original lossless stereo audio <br/>Optional English subtitles for the deaf and hard of hearing<br/>60-page perfect bound collector's book featuring new writing by film critics Guy Adams, Clem Bastow, William Bibbiani and Priscilla Page<br/>Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh <br/>Double-sided fold out poster featuring original and newly commissioned artwork by Nathanael Marsh <br/>Stickers for the films of Rollie Tyler<br/><br/>DISC 1 - F/X: MURDER BY ILLUSION<br/>New commentary by film critic Mike White of the Projection Booth Podcast <br/>New commentary by Dan Martin of 13 Finger FX and filmmaker Jennifer Handorf <br/>The FX of F/X, a new interview with make-up effects supervisor Carl Fullerton <br/>F/X Illusions, a new visual essay by film critic Heather Wixson, author of Monsters, Make-up & Effects<br/>Murder by Illusion, an archive interview with director Robert Mandel <br/>The Making of F/X, an archive featurette<br/>Theatrical trailer <br/>Image gallery<br/><br/>DISC 2 - F/X 2: THE DEADLY ART OF ILLUSION<br/>New commentary by Dan Martin of 13 Finger FX and filmmaker Jen Handorf<br/>Art & Illusion, a new interview with make-up effects supervisor Eric Allard <br/>F/X Magic, a new visual essay by film critic Heather Wixson, author of Monsters, Make-up & Effects <br/>The Australian Invasion, a new visual essay by film scholar Alexandra Heller-Nicholas <br/>The Making of F/X 2, an archive featurette <br/>Behind the Scenes<br/>Inside Eric Allard's Workshop<br/>Theatrical trailer <br/>Image gallery