Columbia

The 8CD Deluxe set includes 139 tracks - 48 never-before released performances, as well as 38 super-rare cuts plus a hardcover book with extensive liner notes by Sean Wilentz and over 100 rare photographs.<br/><br/>BOOTLEG SERIES VOLUME 18: THROUGH THE OPEN WINDOW, 1956-1963<br/><br/>Disc 1<br/>1. Let the Good Times Roll<br/>December 24, 1956 - Terlinde Music Shop, St. Paul, MN<br/>2. I Got a New Girl<br/>May 1959 - Home of Ric Kangas, Hibbing, MN<br/>3. San Francisco Bay Blues<br/>4. Jesus Christ<br/>September 1960 - Home of Bob Dylan, Minneapolis, MN<br/>5. East Virginia Blues<br/>6. K.C. Moan<br/>7. Hard Travelin'<br/>Late 1960 - Madison, WI<br/>8. Pastures of Plenty<br/>9. Remember Me<br/>February 1961 - Home of Bob and Sid Gleason, East Orange, NJ<br/>10. Song to Woody<br/>11. Talkin' Bear Mountain Picnic Massacre Blues<br/>September 6, 1961 - The Gaslight Cafe, NYC<br/>12. Ain't No Grave<br/>Summer 1961 - Home of Mell and Lillian Bailey, NYC<br/>13. I Ain't Got No Home<br/>May 13, 1961 - Coffman Theater, University of Minnesota, Minneapolis, MN<br/>14. Death Don't Have No Mercy<br/>15. Devilish Mary<br/>May 1961 - Minneapolis, MN<br/>16. Introduction: Riverside Church<br/>17. Handsome Molly<br/>July 29, 1961 - Saturday of Folk Music (WRVR-FM), Riverside Church, NYC<br/>18. Introduction: See That My Grave Is Kept Clean<br/>19. See That My Grave Is Kept Clean<br/>20. The Girl I Left Behind<br/>21. Introduction: Pretty Boy Floyd<br/>22. Pretty Boy Floyd<br/>23. Railroading on the Great Divide<br/>October 1, 1961 - Gerdes Folk City, NYC<br/>24. Introduction: Fixin' to Die<br/>25. Fixin' to Die<br/>1961 - Folklore Center, NYC<br/>26. I'll Fly Away - Take 1 (Alternate Take)*<br/>September 29, 1961 - Carolyn Hester sessions,Studio A, Columbia Recording Studios, NYC<br/><br/>Disc 2<br/>1. Introduction: In the Pines<br/>2. In the Pines<br/>3. Gospel Plow<br/>4. Introduction: Young But Daily Growing<br/>5. Young But Daily Growing<br/>6. Man on the Street<br/>7. This Land Is Your Land*<br/>8. Pretty Polly<br/>November 4, 1961 - Carnegie Chapter Hall, NYC<br/>9. man of constant sorrow - Rehearsal (Alternate Take, Nov 20, 1961)<br/>10. HOUSE CARPENTER - Take 1 (Outtake, Nov 22, 1961)*<br/>11. YOU'RE NO GOOD - Take 2 with Take 6 Insert (Alternate Take, Nov 20, 1961)<br/>12. HE WAS A FRIEND OF MINE - Take 2 (Outtake, Nov 20, 1961)*<br/>13. ramblin' round - Take 2 (Outtake, Nov 22, 1961)*<br/>Bob Dylan sessions Studio A, Columbia Recording Studios, NYC<br/>14. Story: East Orange, New Jersey<br/>15. Stealin'<br/>16. Po' Lazarus<br/>17. Dink's Song*<br/>18. I Was Young When I Left Home*<br/>19. In the Evening<br/>20. Baby, Let Me Follow You Down<br/>21. Cocaine<br/>December 22, 1961 - Home of Bonnie Beecher, Minneapolis, MN<br/><br/>Disc 3<br/>1. The Death of Emmett Till<br/>2. Conversation: Folksinger's Choice, 1<br/>3. Roll On, John*<br/>4. Conversation: Folksinger's Choice, 2<br/>5. Hard Times in New York Town<br/>Broadcast March 11, 1962 - Folksinger's Choice,WBAI-FM Studios, NYC<br/>6. Talkin' John Birch Paranoid Blues<br/>March 1962 - Home of Mell and Lillian Bailey, NYC<br/>7. Ballad of Donald White<br/>September 20, 1962 - Home of Mac and Eve McKenzie, NYC<br/>8. Midnight Special - Rehearsals<br/>9. Midnight Special - Take 17 (Alternate Take)<br/>February 2, 1962 - The Midnight Special sessions, Webster Hall, NYC<br/>10. Wichita (Album Version)*<br/>11. It's Dangerous (Album Version)*<br/>March 2, 1962 - Three Kings and the Queen and Kings and the Queen, Volume Two sessions, Cue Recording Studios, NYC<br/>12. Honey, Just Allow Me One More Chance**<br/>13. Talkin' New York**<br/>14. Corrina, Corrina*<br/>15. Deep Ellum Blues**<br/>16. Introduction: Blowin' in the Wind<br/>17. Blowin' in the Wind*<br/>April 16, 1962 - Gerdes Folk City, NYC<br/>18. Rambling, Gambling Willie - Take 3 (Outtake)**<br/>19. (I Heard That) Lonesome Whistle - Take 2 (Outtake)**<br/>April 24, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>20. Rocks and Gravel - Take 3 (Outtake)**<br/>April 25, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>21. Paths of Victory<br/>22. Train A-Travelin' (Album Version)*<br/>October-December 1962 - Broadside Office, NYC<br/>23. Hiram Hubbard**<br/>24. Quit Your Low Down Ways**<br/>25. Let Me Die in My Footsteps**<br/>26. Ramblin' on My Mind**<br/>27. Blue Yodel No. 8 (Mule Skinner Blues)**<br/>July 2, 1962 - The Finjan, Montreal, Canada<br/><br/>Disc 4<br/>1. Baby, Please Don't Go - Take 3 (Outtake)**<br/>April 25, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>2. Worried Blues - Take 1 (Outtake)**<br/>3. Baby, I'm in the Mood for You - Take 4 (Outtake)**<br/>4. Bob Dylan's Blues - Take 2 (Outtake)**<br/>July 9, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>5. Introduction: Tomorrow Is a Long Time<br/>6. Tomorrow Is a Long Time<br/>7. This Land Is Your Land - The Last Verses<br/>8. Long Time Gone<br/>August 11, 1962 - Home of Dave Whitaker, Minneapolis, MN<br/>9. A Hard Rain's A-Gonna Fall*<br/>10. Don't Think Twice, It's All Right*<br/>11. Barbara Allen*<br/>12. The Cuckoo*<br/>October 1962 - The Gaslight Cafe, NYC<br/>13. That's All Right - Take 5 (Outtake)**<br/>October 26, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>14. Mixed-Up Confusion - Take 10 (Single Alternate Take)**<br/>November 1, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>15. Ballad of Hollis Brown - Take 2 (Outtake)**<br/>16. Kingsport Town - Take 2 (Outtake)*<br/>November 14, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/>17. Whatcha Gonna Do? - Remake, Take 1 (Outtake)**<br/>18. Hero Blues - Take 4 (Outtake)**<br/>19. I Shall Be Free - Take 3 (Alternate Take)**<br/>December 6, 1962 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/><br/>Disc 5<br/>1. The Ballad of the Gliding Swan<br/>Broadcast January 13, 1963 - "Madhouse on Castle Street," BBC-TV Studios, London, England<br/>2. Only a Hobo (Album Version)*<br/>3. John Brown (Album Version)*<br/>February 1963 - Broadside Ballads, Vol. 1 sessions, Folkways Studio, NYC<br/>4. All Over You**<br/>February 8, 1963 - NYC<br/>5. Oxford Town* (Demo)<br/>March 1963 - Witmark Studio, NYC<br/>6. Bob Dylan's Dream*<br/>7. Introduction: Walls of Red Wing<br/>8. Walls of Red Wing**<br/>9. Introduction: Tomorrow Is a Long Time<br/>10. Tomorrow Is a Long Time*<br/>11. Dusty Old Fairgrounds**<br/>12. Introduction: Pretty Peggy-O<br/>13. Pretty Peggy-O**<br/>14. Who Killed Davey Moore?**<br/>15. Last Thoughts on Woody Guthrie*<br/>April 12, 1963 - Town Hall, NYC<br/>16. James Alley Blues**<br/>April 18, 1963 - Home of Mac and Eve McKenzie, NYC<br/>17. I Rode Out One Morning**<br/>April 19, 1963 - Home of Mac and Eve McKenzie, NYC<br/>18. House of the Rising Sun**<br/>April 18, 1963 - Home of Mac and Eve McKenzie, NYC<br/>19. Talkin' World War III Blues<br/>April 21, 1963 - Club 47, Cambridge, MA<br/>20. Masters of War - Take 6 (Alternate Take)<br/>21. Girl from the North Country - Take 4 (Alternate Take)<br/>April 24, 1963 - Freewheelin' sessions, Studio A, Columbia Recording Studios, NYC<br/><br/>Disc 6<br/>1. Introduction by Cordell Reagon<br/>2. Only a Pawn in Their Game<br/>3. Blowin' in the Wind<br/>July 6, 1963 - SNCC Voter Registration Rally, Greenwood, MS<br/>4. Eternal Circle<br/>5. Liverpool Gal<br/>6. West Memphis<br/>July 17, 1963 - Home of Tony Glover, Minneapolis, MN<br/>7. North Country Blues*<br/>8. With God on Our Side*<br/>July 27, 1963 - Newport Folk Festival, Newport, RI<br/>9. Playboys and Playgirls*<br/>July 28, 1963 - Newport Folk Festival, Newport, RI<br/>10. Blowin' in the Wind*<br/>July 26, 1963 - Newport Folk Festival, Newport, RI; Bob Dylan: vocals and guitar<br/>11. Slate: Boots of Spanish Leather<br/>12. Boots of Spanish Leather - Take 1 (Alternate Take)<br/>13. Seven Curses - Take 3 (Outtake)*<br/>14. Farewell - Take 5 (Outtake)*<br/>August 6, 1963 - The Times They Are A-Changin' sessions, Studio A, Columbia Recording Studios, NYC<br/>15. Bob Dylan's New Orleans Rag - Remake, Take 3 (Outtake)<br/>August 7, 1963 - The Times They Are A-Changin' sessions, Studio A, Columbia Recording Studios, NYC<br/>16. Moonshiner - Remake, Take 1 (Outtake)*<br/>August 12, 1963 - The Times They Are A-Changin'sessions, Studio A, Columbia Recording Studios, NYC<br/>17. Introduction by Joan Baez<br/>18. Troubled and I Don't Know Why*<br/>August 17, 1963 - Forest Hills Tennis Stadium, NYC<br/>19. Introduction by Ossie Davis<br/>20. When the Ship Comes In**<br/>August 28, 1963 - March on Washington, Washington, D.C.<br/>21. The Lonesome Death of Hattie Carroll<br/>September 1963 - Home of Ben Shapiro, Los Angeles<br/>22. The Times They Are A-Changin'<br/>September 1963 - California<br/>23. One Too Many Mornings - Take 1 (Alternate Take)<br/>October 24, 1963 - The Times They Are A-Changin' sessions, Studio A, Columbia Recording Studios, NYC<br/>24. Key to the Highway - Take 1 (Outtake)<br/>October 23, 1963 - The Times They Are A-Changin' sessions, Studio A, Columbia Recording Studios, NYC<br/><br/>Disc 7<br/>1. The Times They Are A-Changin'*<br/>2. Ballad of Hollis Brown*<br/>3. Introduction: Who Killed Davey Moore?<br/>4. Who Killed Davey Moore?*<br/>5. Boots of Spanish Leather*<br/>6. Talkin' John Birch Paranoid Blues*<br/>7. Lay Down Your Weary Tune*<br/>8. Introduction: Blowin' in the Wind<br/>9. Blowin' in the Wind**<br/>10. Introduction: Percy's Song<br/>11. Percy's Song**<br/>12. Seven Curses**<br/>13. Walls of Red Wing**<br/>14. Introduction: North Country Blues<br/>15. North Country Blues*<br/>16. A Hard Rain's A-Gonna Fall*<br/>October 26, 1963 - Carnegie Hall, NYC<br/><br/>Disc 8<br/>1. Talkin' World War III Blues**<br/>2. Don't Think Twice, It's All Right**<br/>3. Story: Hootenanny Hoot<br/>4. With God on Our Side*<br/>5. Only a Pawn in Their Game**<br/>6. Introduction: Masters of War<br/>7. Masters of War*<br/>8. Introduction: The Lonesome Death of Hattie Carroll<br/>9. The Lonesome Death of Hattie Carroll*<br/>10. Introduction: When the Ship Comes In<br/>11. When the Ship Comes In*<br/>October 26, 1963 - Carnegie Hall, NYC<br/> <br/>* All tracks previously UNRELEASED unless otherwise noted<br/>** Previously released on 50th Anniversary Collection 1962 and<br/>The 50th Anniversary Collection 1963 (Sony)

TRACKS II: THE LOST ALBUMS are seven unheard Bruce Springsteen records made between 1983-2018.<br/> <br/>Featuring 82 previously unreleased songs, The Lost Albums fill in chapters of Springsteen's expansive career timeline, while offering invaluable insight into his life and work as an artist. "The Lost Albums were full records, some of them even to the point of being mixed and not released," said Springsteen. "I've played this music to myself and often close friends for years now. I'm glad you'll get a chance to finally hear them. I hope you enjoy them." <br/> <br/>From the lo-fi exploration of LA Garage Sessions '83, serving as a crucial link between Nebraska and Born in the U.S.A., to the drum loop and synthesizer sounds of Streets of Philadelphia Sessions, The Lost Albums offer unprecedented context to 35 prolific years of Springsteen's songwriting and home recording. "The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions," Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on Faithless, country combos with pedal steel on Somewhere North of Nashville, richly woven border tales on Inyo, orchestra-driven, mid-century noir on Twilight Hours and E Street favored rock on Perfect World.<br/> <br/>The Lost Albums are available in limited-edition seven-CD format, including original packaging for each previously unreleased record, with a 100-page cloth-bound, hardcover book featurimng rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself.

Bob Dylan - The 1974 Live Recordings, New 431-Track Collection Of The Artist's Arena Performances With The Band, To Be Released Across 27 Discs On Columbia Records / Legacy Recordings, September 20.<br/><br/>Deluxe Box Set Features 417 Previously Unreleased Performances, Newly-Mixed Recordings And Liner Notes by Elizabeth Nelson.<br/><br/>Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will release The 1974 Live Recordings on Friday, September 20, celebrating the 50th anniversary of Bob Dylan's return to touring that year. Featuring all professionally recorded shows from the artist's 1974 performances backed by The Band, the collection will be available as a deluxe box set across 27 CDs. The 1974 Live Recordings offers fans 417 previously-unreleased Bob Dylan live tracks - including 133 recordings newly mixed from 16-track tape, and every single surviving soundboard recording - along with new liner notes by journalist and critic Elizabeth Nelson. <br/><br/>Bob Dylan's 1974 Tour marked his first time touring live in eight years and reunited him with The Band - who had become widely renowned in their own right since backing the artist nearly a decade earlier. Booked into arenas for the first time ever, Bob Dylan and The Band performed 30 dates in 42 days (often playing two sets per day) before an average audience of 18,500 - helping set a new standard for what rock concerts could look and sound like. And in front of those crowds, they brought an energy that Rolling Stone's Ben Fong-Torres described as "searing and soaring, unified and precise...excellent in itself." Music critic Robert Christgau compared the sound to Bob Dylan "running over his old songs like a truck." <br/><br/>Tour '74 kicked off January 3, 1974, at Chicago Stadium - the largest indoor arena in the world at the time it was built - with a tense and combative rip through ultimate deep-cut "Hero Blues," an acoustic-gone-electric outtake from The Freewheelin' Bob Dylan sessions, that he had scarcely performed before - or since. Additional rarities - like a wildly-reinvented "Ballad Of Hollis Brown," "Song to Woody" (not performed since 1962) and Planet Waves outtake "Nobody 'Cept You" - would be well received in the tour's first nights. "We were booed off of every stage in Europe," The Band's Robbie Robertson recalled to Newsweek of their previous run together. "What happened tonight in Chicago is so reassuring for us."<br/><br/>The reception wasn't the only thing that had changed since Bob Dylan and The Band last toured together in 1966. Since then, The Band had released six LPs, played Woodstock and other famous stages, and recorded a series of historic sessions with Bob Dylan - from The Basement Tapes to Planet Waves. For his part, Bob Dylan had effectively retired from the road altogether following a 1966 motorcycle accident, yet was still "widely regarded as the most influential and significant star in the last 10 years of American popular music," according to The New York Times.<br/><br/>Though they might not have known it at the time, Bob Dylan and The Band were at the vanguard of a new era. Tour '74 would help create the template for the major rock tour, and codify many of its shared experiences - from the sight of audiences holding up lighters en masse (as captured in the iconic cover image for Before The Flood), to the bright flash of the house lights during a show's signal moment, in this case their performance of "Like A Rolling Stone." Likewise many songs performed live for the first time on Tour '74 - "All Along The Watchtower," "Forever Young" and the show's eventual opener-and-closer "Most Likely You Go Your Way (and I'll Go Mine)" - would take on a life of their own.<br/> <br/>At the outset, the 1974 Tour was captured on a stereo soundboard mix, on both 1?4" tape and cassette. By tour's end, Asylum Records' David Geffen had commissioned recordings on multitrack tape, the standard at the time, for eventual release on Before the Flood. The 1974 Live Recordings includes it all - the cassettes and 1/4" tapes, and the shows that were recorded on 16-track tape, newly-mixed for this collection.

The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan's vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. Bob Dylan - Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan's albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more. <br/><br/>The deluxe 5CD edition of the album presents 57 rare Bob Dylan recordings, 54 of them previously unreleased in any format, from 1980-1985. The previously released cuts include two Shot Of Love outtakes: "Let It Be Me" (first released as B-side to "Heart of Mine" International 7" single) and "Don't Ever Take Yourself Away" (first released on Hawaii Five-O: Original Songs from the Television Series). A third previously released recording, "Death Is Not The End" (an Infidels outtake featuring Full Force) first appeared in an edited version on Down In The Groove and may now be heard for the first time in full on Bob Dylan - Springtime In New York (1980-1985).

Volym 12 i Bob Dylans hyllade Bootleg serie med exklusiva inspelningar. Denna 6CD Deluxe box fokuserar på inspelningarna till de legendariska albumen in Bringing It All Back Home, Highway 61 Revisited och Blonde On Blonde, som kom att säkerställa Bob Dylans rykte som oöverträffad låtskrivare och artist. Boxen innehåller studio inspelningar som inte tidigare släppts. Såsom inte tidigare publicerade sånger, inspelningar från repetitioner samt alternativa tagningar från inspelningarna av albumen. Alla inspelningar överförda och mixade från originaltaperna.<br/><br/>The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 - Deluxe Edition låter oss för första gången to del av dessa eftersökta inspelningar. På 6CD finns ej tidigare presenterade Dylan sånger, inspelningar från repetitioner samt alternativa tagningar av hans välkända låtar och desssutom hela sessionen för "Like A Rolling Stone" samt mycket mer. <br/><br/>Den innehåller också en bok med hundratals unika och ej tidigare visade foton och memorabilia kommenterade av Bill Flanagan och Sean Wilentz.<br/><br/>Bringing It All Back Home, Highway 61 Revisited och dubbelalbumet Blonde On Blonde skrevs och spelades in under en period av 14 månader (från Januari1965 till Mars 1966) och betraktas allmänt som tre av de mest viktiga och inflytelserikaste albumen under 60-talets musikaliska guldålder. Dylan spelade in albumen med producenterna Tom Wilson (Bringing It All Back Home, "Like A Rolling Stone") i New York och Bob Johnston i New York (Highway 61 Revisited) and Nashville (Blonde On Blonde).

MILES IN FRANCE is the eighth installment in the celebrated Miles Davis Bootleg Series and this edition focuses on the birth of the Second Great Quintet in 1963 and 1964. The music heard here represents the sound of an end and a beginning coming through at once. The set contains 5 separate performances of the Miles Davis Quintet spread over 6 CDs and the energy and depth of feeling in the transcendent playing hint at the special relationship Miles and the group had with the French nation that embraced them in a way their homeland would not. It contains over 4 hours of revelatory, unreleased live music featuring Miles backed by George Coleman (on the 1963 recordings), Wayne Shorter (on the 1964 recordings), Herbie Hancock, Ron Carter and Tony Williams. This set expands on the 1964 live album MILES IN EUROPE which documented the Miles Davis Quintet's performance at the Festival Mondial du Jazz in Antibes in July 1963. The audio has been lovingly mixed and mastered in the highest quality possible.

Springsteens "The Ties That Bind: The River Collection" är en omfattande tillbakablick till The River-eran - 52 låtar på fyra CD:ar med en mängd outgivna skatter samt fyra timmar tidigare outgivet filmat material samlade i 2 BD:ar.<br/><br/>Boxen består av: original/dubbelalbumet The River; första officiella singelalbumsläppet av The River; en CD med 1979- och 1980-års studiotagningar; en BD med tidigare outgivet, nyklippt flerkamerafilmat material från Springsteens omtalade spelning i Tempe, Arizona (1980); filmat material från turnérepetitioner; den nya dokumentären "The Ties That Bind" om The River och sist men inte minst en bok innehållandes 200 foton samt en essä skriven av amerikanske författaren och journalisten Mikal Gilmore. <br/> <br/>The River är Springsteens femte album och släpptes den 17 oktober 1980. Dubbelalbumet nådde amerikanska Billboardlistans förstaplats. <br/> <br/>"The River: Single Album" är 10-spårsplattan som Springsteen spelade in 1979 som en uppföljare till 1978-års Darkness on the edge of town men som aldrig släpptes. <br/>"The songs lacked the kind of unity and conceptual intensity I liked my music to have. So we went back in the studio," säger Springsteen i boken "Songs".<br/> <br/>Sju av tio titlar på The River singelalbum kom tillslut med på The River (original/dubbelalbumet) med en del alternativa låttexter och arrangemang. Med inspelningar som "Cindy" och en rockabilly version av "You Can Look (But You Better Not Touch)". Nu släpps singelabumet The River för första gången. <br/> <br/>Den fjärde CDn I boxen är "The River: Outtakes" som spänner över hela 1979- och 1980-års The River-sessions och skildrar djupet och variationen av Springsteens verk under denna tidsperiod. <br/>Elva av låtarna har aldrig förr släppts och är till stor del helt okända t.o.m. bland fansen som länge behandlat Springsteens outgivna material som skatter i lönndom. <br/> <br/>De elva låtarna ("Record One") är mixade av Bob Clearmountain och mastrade av Bob Ludwig. Ytterligare elva inspelningar ("Record Two") från "Tracks"-boxen och "Essential"-boxen har plockats för att samla samtliga rariteter.<br/> <br/>"The Ties That Bind" är en ny 60-minuters dokumentärfilm producerad av Grammy- och Emmybelönade Thom Zimny, skildrande Springsteen som reflekterar över skapandet av The River. <br/>Åskådaren får följa Springsteens berättelser blandat med akustiska solon och dåtida konsertmaterial på Springsteen med band, innan- och utanför studion. <br/> <br/>Sista videokomponenten är Bruce Springsteen & The E Street Band: The River Tour, Tempe 1980 en ny film producerad av material från 1980. Filmen innehåller 24 låtar, 2 timmar och 40 minuter på BD från Springsteens konsert på Arizona State University i Tempe, Arizona (5 november 1980). Ansedd som en av Springsteens mest omtalade spelningar med tidiga liveversioner med över hälften av The River-låtarna. <br/> <br/>Med är också en 20 minuters film från Springsteen och The E Street Bands repetitioner från september 1980 i Lititz, Pennsylvania. Klippt av Zimny och mixat i Stereo & 5.1 surround av Bob Clearmountain mastrat av Bob Ludwig.