Nuclear Blast

Swedish high energy rockers THE HELLACOPTERS have been celebrating their 30th anniversary recently and after releasing something new - the much-lauded "Overdriver" album on January 31, 2025, which reached No. 1 in the Swedish charts for the second time in the group's career - it is time to offer their dedicated fanbase something truly nostalgic. "Cream Of The Crap! Collected Non-Album Works o Volume 3" is the long-overdue follow-up in a series of rarities collections started in 2002 combining material from a myriad of singles, EPs, and compilations. The 24 tracks featured in this set have originally been released between 1995 and 2004, and include originals like 'Disappointment Blues', 'Freeway To Hell', 'Doggone Your Bad-Luck Soul' and 'Long Gone Losers' as well as many cover versions of songs by Motörhead, Wilson Pickett, MC5, Smokey Robsinson, Alice Cooper, the Ramones, the Nomads, and Adam West - whose singer Jake Starr penned liner notes for this release - and many, many more. Meticulously compiled by Robert Eriksson, transferred from master tapes and vinyl by Henke Jonsson, and remastered for maximum audio fidelity by Magnus Lindberg, THE HELLACOPTERS proudly present a stunning collection of incredible, high-octane rock'n'roll on this over 75 minutes long CD edition.

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Less than three years after their triumphant, chart-storming comeback record (#1 in Sweden, #3 in Germany) Eyes Of Oblivion, Sweden's most consistently great rock outfit is back with another banger of an album. Overdriver was recorded at Strawberry Studio & The Honk Palace and is the first HELLACOPTERS album entirely produced by Nicke Andersson. As you might expect from a HELLACOPTERS album it's filled to the brim with roaring guitars and earth-shattering grooves, fist-raising energy and anthemic choruses, while keeping the variety richer than ever before. The striking cover for Overdriver was created by German illustrator Max Löffler.

"Grande Rock Revisited" it has been remastered by Henke Jonsson, and furthermore has been completely remixed by Michael Ilbert at Hansa Studios, Berlin using the original multi-track tapes and reanimated with a whole lot of additional layers of rock!<br/><br/>The result presents how the record could have sounded in a parallel universe with Dregen being in the band at the time, and with a more balanced mix, something the band had been pondering about for quite a while. "We all love loud guitars", Nicke explains, "but not at the expense of drums and bass, which is pretty much the gist of the original mix.

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