Parlophone

Originally released in 1972, the album is a collection of singles, album tracks and outtakes which charted across the world. The newly expanded edition, Still Living in the Past, features Steven Wilson remixes, edits, demos, Live at Carnegie Hall 1970 (Steve Wilson remix) and four promo films.<br/><br/>BLU-RAY AUDIO:<br/>Steven Wilson studio remixes in 24/96 PCM stereo<br/>(and Steven Wilson studio remasters in 24/96 PCM stereo)<br/>Steven Wilson studio remixes in DTS 5.1 surround<br/> <br/>Steven Wilson remixes [sides 1 & 2]<br/>Steven Wilson remixes [sides 3 & 4]<br/> <br/>Flat stereo 24/96 transfer of original<br/>Living in the Past studio album reels (UK & US versions combined)<br/> <br/>Flat stereo 24/96 transfer of bonus unreleased original mixes<br/> <br/>Live Carnegie Hall 1970, 2025 remix in 24/96 PCM stereo<br/>Steven Wilson Live Carnegie Hall 1970, 2025 remix in DTS 5.1 surround<br/> <br/>BLU-RAY AUDIO/VIDEO<br/>The Witch's Promise (March 1970 Promo Film)<br/>Teacher (UK Single Version, March 1970 Promo Film)<br/>Teacher (US Album Version, March 1970 Promo Film)<br/>Life Is A Long Song (September 1971 Promo Film)<br/> <br/>BD RUNNING TIME: Approx 355 minutes. REGIONS: A, B & C. VIDEO: BD50 - Aspect Ratio: 1080i59.94 / 1080p23.976<br/>AUDIO: 96/24 PCM Stereo and DTS-HD Master Audio 5.1. EXEMPT FROM CLASSIFICATION<br/><br/><br/>Ian Anderson says...<br/><br/>"After 53 years since its original issue, this collection with the Steven Wilson re-mixes and surround sound upgrades is a splendid addition to the Tull album series. It was conceived at the time primarily to update the Tull story for US and European audiences who might not have had the benefit of the many songs which had already reached UK fans' ears. <br/> <br/>I recall the recordings of many of these songs with surprising clarity and some I can still play from memory without a moment of hesitation. Quirky in some instances and covering a range of musical styles, it shows off my attempts to broaden my writing and arranging and develop beyond the more rocky and bluesy origins of the band. My mandolin and acoustic guitar tracks are amongst my personal favourites.<br/> <br/>Consisting of singles A-sides and B-sides plus a variety of songs including the EP "Life Is A Long Song", it brings together the many tracks recorded between the releases of the first three albums and the album "Thick As A Brick". And, of course, the live concert recorded at Carnegie Hall in NYC reflects the band performance in all its 1970 glory. <br/> <br/>I am so happy to have this material made available again and hats off to the team at Parlophone/Warner Music as well as the contributors who made other all happen."

ROCK 'N' ROLL STAR!, containing 29 unreleased tracks, covers early songwriting demos, recordings from David's band, The Arnold Corns, rehearsals at Bowie's then-home, Haddon Hall, BBC sessions, singles, live performances, plus outtakes and alternative versions from the original album recording sessions, which have been newly mixed by original album producer, Ken Scott. <br/> <br/>Unreleased highlights include an alternative version of 'Lady Stardust', an unheard version of the deep-cut classic 'Shadow Man' and an up-tempo take of The Who's 'I Can't Explain', which he would later slow down and cover for the PIN-UPS album.<br/> <br/>The audio-only Blu-Ray disc features the definitive 2012 remaster of the original Ziggy Stardust album in 96kHz/24bit PCM stereo, plus the album and additional mixes from 2003 in DTS-HD Master Audio 5.1 as well as the singles, outtakes and alternative versions in 96kHz/24 bit PCM stereo.<br/> <br/>The Blu-Ray also includes a version of the ZIGGY STARDUST album called WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) taken from Trident Studio tapes dated 15th December 1971, which features an alternative running order and four songs that didn't make the final album.<br/><br/>ROCK 'N' ROLL STAR! also contains two books. The first is an extensive 112-page book with detailed liner notes, memorabilia, contemporary reviews and articles, rare photographs from Barrie Wentzel, Michael Putland, Mick Rock, Sukita and Alec Byrne, as well as brand-new notes and interviews with Ken Scott, Mark Carr Pritchett and David's plugger from the time, Anya Wilson. Accompanying the main book is a 36-page compiled reproduction of David's personal Ziggy Stardust era notebooks. <br/> <br/>The first track taken from ROCK 'N' ROLL STAR! is 'ZIGGY STARDUST' (DEMO)' recorded by Bowie on vocal and acoustic guitar in March 1971 at Haddon Hall in Beckenham.

Known for their innovative fusion of progressive rock and folk influences, Jethro Tull announces 40th anniversary editions of their fourteenth album 'Broadsword And The Beast'. <br/>Originally released in 1982, it was a groundbreaking album that captivated fans with its distinctive blend of rock, folk, and progressive influences. <br/><br/>The album's masterful storytelling, accompanied by Ian Anderson's unmistakable flute melodies, garnered critical acclaim and has become a fan favourite over the years.<br/>The 40th Anniversary packages includes new mixes from Steven Wilson, demos, rough mixes, live recordings and sessions from 1981

Limiterad utgåva i 1500 ex. För första gången någonsin släpps nu "På andra sidan drömmarna" från 1996 på vinyl. Ett av Ulf Lundells mest omfattande album fördelat på tre vinyler förpackade i ett trippel vik-upp-omslag. <br/><br/>Albumet släpps samma dag som Lundell startar sin stora sommarturné i Husqvarna den 17 juni.

Bowie David: Ziggy Stardust and the spiders/Gold [Gatefold / 2 Vinyl LP]

TOY was recorded following David's triumphant Glastonbury 2000 performance. Bowie entered the studio with his band, Mark Plati, Sterling Campbell, Gail Ann Dorsey, Earl Slick, Mike Garson, Holly Palmer and Emm Gryner, to record new interpretations of songs he'd first recorded from 1964-1971. David planned to record the album 'old school' with the band playing live, choose the best takes and then release it as soon as humanly possible in a remarkably prescient manner. Unfortunately, in 2001 the concept of the 'surprise drop' album release and the technology to support it were still quite a few years off, making it impossible to release TOY, as the album was now named, out to fans as instantly as David wanted. In the interim, David did what he did best; he moved on to something new, which began with a handful of new songs from the same sessions and ultimately became the album HEATHEN, released in 2002 and now acknowledged as one of his finest moments. <br/> <br/>Now twenty years after its originally planned release, David's co-producer Mark Plati says, "Toy is like a moment in time captured in an amber of joy, fire and energy. It's the sound of people happy to be playing music. David revisited and re-examined his work from decades prior through prisms of experience and fresh perspective - a parallel not lost on me as I now revisit it twenty years later. From time to time, he used to say 'Mark, this is our album' - I think because he knew I was so deeply in the trenches with him on that journey. I'm happy to finally be able to say it now belongs to all of us".<br/><br/>(TOY:BOX) is a special edition of the TOY album. The 'capture the moment' approach of the recording sessions are extended to the sleeve artwork designed by Bowie featuring a photo of him as a baby with a contemporary face. The package also contains a 16-page full-colour book featuring previously unseen photographs by Frank Ockenfels 3.<br/><br/>The seeds of TOY were first sown in 1999 during the making of an episode of VH-1 Storytellers. David wanted to perform something from his pre-'Space Oddity' career, so he reached back to 1966 and dusted off 'Can't Help Thinking About Me' for the first time in thirty years. The song remained in the setlist for the short promotional tour for the 'hours...' album, and in early 2000 David and producer Mark Plati compiled a list of some of Bowie's earliest songs to re-record.<br/><br/>TOY finishes with a new song from which the album takes its title, 'Toy (Your Turn To Drive)' was constructed from a jam at the end of one of the live takes of 'I Dig Everything'. The track is based around rearranged sections of Sterling Campbell's drums, Gail Ann Dorsey's bass and sections of Mike Garson's piano were looped along with a guitar line of Earl Slick's that was sampled, time stretched and used as a repeating figure. Lastly, some of Holly and Emm's backing vocals from the body of 'Dig Everything' were cut up and reassembled. Producer Mark Plati "As it was culled from 'I Dig Everything' it makes sense to bookend the album with this track - it's also a fitting postscript to the TOY era".<br/> <br/>Included in TOY:BOX is a second set of 10"s of alternative mixes and versions including proposed B-Sides (versions of David's debut single 'Liza Jane' and 1967's 'In The Heat Of The Morning'), later mixes by Tony Visconti and the 'Tibet Version' of 'Silly Boy Blue' recorded at The Looking Glass Studio time at the of the 2001 Tibet House show in New York featuring Philip Glass on piano and Moby on guitar.<br/><br/>The third set of 10"s features 'Unplugged & Somewhat Slightly Electric' mixes of thirteen TOY tracks. Producer Mark Plati "While we were recording the basic tracks Earl Slick suggested that he and I overdub acoustic guitars on all the songs. He said this was a Keith Richards' trick, sometimes these guitars would be a featured part of the track, and at other times they'd be more subliminal. Later while mixing, David heard one of the songs broken down to just vocals and acoustic guitars; this gave him the idea that we ought to do some stripped-down mixes like that and that maybe one day they'd be useful. Once we put a couple of other elements in the pot, it felt like it could be a completely different record. I was only too happy to finish that thought some two decades after the fact".

180 gram vinyl.