Sken

With “Only True Believers” (2003), Sweden’s Armagedda carved out a legacy in the black metal renaissance of the early 2000s. Building further on the “Under a Funeral Moon” (Darkthrone) worship of “The Final War Approaching” (2001), Armagedda cemented a foundation of their own. “Only True Believers” is a masterclass in the art of balance, merging the feverish, swinging rhythm of the relentless drumming – courtesy of Erik Danielsson of Watain – with evocative, dark melodies and rabid oration.

Armagedda’s “Svindeldjup ättestup” emerges from the abyss of a 17-year silence to rekindle the ancient flames. This ritualistic resurgence combines the raw, primal essence of their early work with a newfound atmospheric depth. Enveloped in the mystique of Nordic folklore and the relentless spirit of black metal, it stands as a monolith of haunting melodies and brooding intensity – a testament to the band’s undying legacy.

Armagedda’s “Ond spiritism” (2004) is held in the same regard as the iconic releases by black metal contemporaries such as Funeral Mist, Watain, and Deathspell Omega. Boasting one of the best productions ever to emerge from Necromorbus Studio, the unique tonal quality of the guitars casts a hollow, haunting resonance – impeccably conveying the wistful, folk-infused dissonance. Creative basslines weave through sinister melodies, seamlessly integrated with the minimalist yet masterful percussion.

“Echoes in Eternity” stands as an archival monument, chronicling Armagedda’s emergence from the shadows of black metal. This compilation breathes life into rare demos and live recordings, reflecting the undiluted essence of their early work. It’s a journey through the raw, unpolished roots that defined “The Final War Approaching” and “Only True Believers”, presenting a band in its most authentic, unbridled form.