Engelska

<b>Like Sarah Bakewell's <i>How to Live </i>and Andrea Wulf's<i> Magnificent Rebels</i>, <i>Mortal Secrets</i> is a lively and accessible portrait of major figure - Sigmund Freud - and the unprecedented era of creativity </b><b>that shaped his ideas</b><br/><br/>Some cities are like stars. When the conditions are right, they ignite, and they burn with such fierce intensity that they outshine all their rivals. From 1890 and through the early years of the 20th century, Vienna became a dazzling beacon. The city was powered by an unprecedented number of extraordinary people - artists Klimt and Schiele, thinkers such as Theodor Herzl, and fashion icons like the glamorous Empress Sisi. Conversations in coffee houses and salons spurred advances in almost every area of human endeavour: science, politics, philosophy, and the arts. The influence of early 20th century Vienna is still detectable all around us - but the place where it is at its strongest is in our heads. The way we think about ourselves has been largely determined by Vienna's most celebrated resident: Sigmund Freud. <i>Mortal Secrets </i>is the story of Freud's life, Vienna's golden age, and an essential reappraisal of Freud's legacy.

<b>There's no point screaming - we've only just begun . . .</b><br/><br/>It's not going well for NE Division: half the force is off sick, all leave's been cancelled, someone's firebombed a migrant hostel and there's a <i>massive</i> climate change protest march happening this Saturday. With officers dropping like flies, Detective Inspector Logan McRae has to kick off a major murder investigation with a skeleton staff of misfits, idiots and malingerers - AKA: DS Steel's team - until the top brass can arrange backup from other divisions.<br/><br/>But as bad as everything seems, there's something <i>far</i> more sinister lurking in the heat-haze of a sweltering Aberdeen summer: something that's been building for years. Something that longs to sing its horrible song . . .<br/><br/>And it's clear that things are going to get much, much worse before this is over.<br/><br/><b>Praise for Stuart MacBride:</b><br/><br/>'Dark and brilliantly written' <b>Linwood Barclay</b><br/><br/>'MacBride is a damned fine writer' <b>Peter James</b><br/><br/>'Crime fiction of the highest order'<b> Mark Billingham</b>

The Technological Republic [Bok / Häftad]

Ingmar Bergman [Bok / Häftad]

The fate of an infinite library hangs on one book, a book that holds the power to break the unbreakable. In the face of such forces, fragile things like hearts, family, and the world seem certain to fail. The people most vital to Livira are scattered across time and space, lost, divided into factions, in mortal peril. Somehow, she must bring them together and resolve the unresolvable argument that fuels the library's war. The bond between Livira and Evar has stretched and stretched again. Can it hold at the end, when things fall apart? Can it bring them together against impossible odds? This is the last chapter, the final page. The end threatens and no one, not characters, readers, or even the author, will emerge unscathed.

The branch he sat on was creaking under his weight, but he didn't seem to notice or care. He was shouting about being angry at his brother. I stood by the trunk and cried and begged him to come down, but he wouldn't listen. <br/><br/>I will not come down until Gregoris has apologised to you! he insisted. There were two birds in the tree with my grandfather, one on each side of him. One of the birds was a dove, the other some sort of bird of prey, like a hawk or a falcon. <br/><br/>"If you won't come down, will you at least save the dove? And look out for the other bird!" I cried out. Just as my grandfather reached out to the dove, the branch snapped.

Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? <br/><br/>In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio's key moments - from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney's acquisition of Marvel to studio head Kevin Feige's embrace of streaming TV - the authors demonstrate that the genius of Marvel was its resurrection and modification of Hollywood's old studio system. Dishy and authoritative, MCU is the first book to tell the Marvel Studios story in full - and an essential, effervescent account of popular culture.