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THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS 'Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I'm proud of them, especially because the spirit in which they were written was very authentic.<br/><br/>Lana Del Rey Lana's breathtaking first book solidifies her further as 'the essential writer of her times' (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum and many more. This beautiful hardcover edition showcases Lana's typewritten manuscript pages alongside her original photography. <br/><br/>The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.

Life advice from a screen legend<br/><br/><br/><br/>Arguably one of the most recognisable actresses of all time, this unauthorised collection of inspirational quotes demonstrates the spirit of a true style icon, and reflects on fashion, elegance, success, beauty and beyond.<br/><br/>-<br/><br/>'All little girls should be told they are pretty, even if they aren't.'<br/><br/>'Who said nights were for sleep?'<br/><br/>'I don't mind making jokes, but I don't want to look like one.'<br/><br/>'I am not interested in money. I just want to be wonderful.'

<strong>THE ULTIMATE CELEBRATION OF THE MIDWEST PRINCESS</strong> <br/><br/>From hometown Missouri girl to the Midwest Princess and global FEMININOMENON we stan today, Chappell Roan is on an extraordinary journey. <br/><br/>Dive into the stories, fun facts and defining moments that shot this shining star into orbit. Packed with dazzling inspiration and empowering wisdom, this book is your guide to living boldly, flourishing fearlessly and thriving no matter what life throws your way. <br/><br/><strong>Whether you're a long-time fan or just discovering Chappell's magic, celebrating her punk attitude, iconic fashion and of course, her musical genius, with this essential companion</strong>.

Orlam reveals PJ Harvey as not only one of the most talented songwriters of the age, but a gifted poet - whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.<br/><br/>Nine-year-old Ira-Abel Rawles lives on Hook Farm in the village of UNDERWHELEM. Next to the farm is Gore Woods, Iras sanctuary, overseen by Orlam, the all-seeing lambs eyeball who is Ira-Abels guardian and protector. Here, drawing on the rituals, childrens songs, chants and superstitions of the rural West Country of England, Ira-Abel creates the twin realm through which she can make sense of an increasingly confusing and frightening world. Orlam follows Ira and the inhabitants of UNDERWHELEM month by month through the last year of her childhood innocence. The result is a poemsequence of light and shadow suffused with hints of violence, sexual confusion and perversion, the oppression of family, but also ecstatic moments in sunlit clearings, song and bawdy humour. The broad theme is ultimately one of love carried by Iras personal Christ, the constantly bleeding soldier-ghost Wyman-Elvis, who bears The Word: Love Me Tender.<br/><br/>Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Orlam also reveals P J Harvey as not only one of the most talented songwriters of the age, but a gifted poet whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.

<div>In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as <i>Vogue, Esquire</i> and <i>Life</i>, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously.</div> <div><br/> </div> <div> Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.</div>

The third book about Offecct's collaborations with various designers from around the world is a personal and open-hearted conversation with Lucy Kurrein. She s been very involved in the creation of the book and offers a unique insight into the world of images and ideas that has shaped her design philosophy.<br/><br/>In the book, we follow design writer Max Fraser to Lucy Kurrein's studio for a personal and sincere conversation. The extensive visual material that Kurrein herself has selected reflects her personality, sources of inspiration and design process. Just as in her work, we meet a designer where care for every detail results in a natural simplicity that requires time. I am selective about the projects I take on. If I hired a team, I could take on three times as much work, but I enjoy designing everything with my own hands and allowing a slow and considered design process, she says.<br/><br/>Lucy Kurrein also talks about how her creativity when young was nurtured by visits to art museums, sculpture parks and galleries and why the relationship between the product and the human body is so central to her.<br/><br/>Lucy Kurrein began her career on an Art Foundation Diploma at the Leeds College of Art and Design. She went on to study Furniture Design at Buckinghamshire University where she graduated in 2007. After some years at Matthew Hiltons and Pearson Lloyds respectively, all British Royal Designers for Industry, she set up her own design studio in London in 2013. The same year she launched her first sofa in collaboration with SCP. In 2015 Lucy was awarded Young Furniture Designer of the Year by Homes and Gardens magazine. She is one of the most exciting new designers working in Europe today.

<b>Timoth</b><b>e</b><b>e? Chala... may I?! This book is a celebration of the actor, style-icon and consummate heartthrob we all love!</b><br/><br/>Timothee Chalamet is a global superstar, award-winning actor and leading heartthrob of his generation. With his androgynous good looks and sweet, humble disposition, he is miles away from the macho superheroes who have been dominating Hollywood - and fans across all genders love him for it. He has played challenging roles, from sensitive portrayals of complex characters to artful humour in comedies, and it turns out he can sing and dance too!<br/><br/>With tips on how to dream even bigger that TC's hair and ways to find your own authentic self, <i>The Book of Chalamet</i> explores Tim's incredible journey to most-sought-after star in the world. It delves into the lessons we can take from his life, his career, his fashion and his principles, and includes quizzes, facts and A LOT of photos!