2017

Svensk jazzhistoria vol. 11/Jazz Cosmopolit är en box med fyra fullmatade cd-skivor och en 188-sidig bok om den svenska jazzen på 1970-talet.<br/> <br/>Här hörs musik av så vitt skilda namn som Alice Babs, Monica Dominique, Nannie Porres, Monica Zetterlund, Lars Gullin, Georg Riedel, Bernt Rosengren, Nisse Sandström, Janne Schaffer, Bobo Stenson, Eje Thelin, Per Henrik Wallin, Putte Wickman, Lennart Åberg och grupper som Egba, Iskra, Mount Everest, Oriental Wind, Rena Rama, Sevda, Solar Plexus, Radiojazzgruppen, Tintomara m.fl.

Fitzgerald Ella: Ella 100 1936-66 [Digipack / 4 CD]

British pianist Django Bates returns to ECM with one of his very finest constellations, the trio Belovèd, with Swedish bassist Petter Eldh and Danish drummer Peter Bruun, and an aptly named album, "The Study of Touch". All three musicians are highly individual players, subtly challenging the conventions of the jazz piano trio. The group came together a decade ago when Bates was teaching at Copenhagen's Rhythmic Music Conservatory. The shared work has included inspired reconstructions of pieces associated with Charlie Parker - a formative influence for both Bates and bassist Eldh - and in this new album, Parker's tune "Passport" is set amid Django originals, and played with respect, contemporary sensibility and joy. Some of Django's own tunes here - such as "Senza Bitterness", "Sadness All The Way Down" and "We Are Not Lost, We Are Simply Finding Our Way" have become core pieces in Belovèd's repertoire, continually remodeled by this trio of improvisers. Bates' composing and arranging skills are much in evidence, along with his freewheeling, free-flowing virtuosic melodic sense. The terse, percussive edge of Petter Eldh's bass provides momentum and drummer Peter Bruun details the music with an almost painterly touch. In the crowded world of the piano trio, Belovèd has developed a sound all its own. "The Study of Touch" was recorded at Oslo's Rainbow Studio in June 2016, and produced by Manfred Eicher.

Jämfört med ALQ:s tidigare skivor är sången ordlös i samtliga kompositioner på gruppens femte album. Borta är det helt akustiska, välkända jazzsoundet och skivan är helt instrumental. Sången har fått en mer kollektiv plats i ljudbilden. På det viset vill Anna Lundqvist vill tvätta bort traditioner och normer från begreppet vokaljazz och skapa något helt eget. Kvintetten består av Fabian Kallerdahl, piano, Mattias Grönroos, bas, Jon-Erik Björänge, trummor/percussion, Björn Almgren, saxofoner, och Anna Lundqvist, sång. Skivan gästas också av gitarristen Krister Jonsson samt Stina Larsdotter, cello, och Tobias Hedlund, vibrafon.

Released on the occasion of Anouar Brahem's 60th birthday, "Blue Maqams" offers many reasons to celebrate. Recorded in New York's Avatar Studios in May 2017 and produced by Manfred Eicher, it brings the Tunisian oud master together with three brilliant improvisers: the "Maqams" of the title refers to the Arabic modal music system, rendered kind of blue by the jazz players. For Anouar Brahem and Dave Holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed "Thimar" album. Brahem meets Jack DeJohnette for the first time here, but Holland and DeJohnette have been frequent musical partners over the last half-century beginning with ground-breaking work with Miles Davis - their collaborations are legendary. British pianist Django Bates also rises superbly to the challenge of Brahem's compositions. And Anouar in turn is inspired to some of his most outgoing playing. "Blue Maqams" is a highlight of ECM's autumn season.

Flerfaldigt firade jazzsångerskan och pianisten Diana Krall har på senare år varit mer inriktad på att skapa tidlös popmusik. Nu återvänder hon till jazzen och gör en ny djupdykning i den amerikanska sångboken med albumet "Turn Up the Quiet", som producerats av Tommy LiPuma.

Parks Aaron/Ben Street/Billy Hart: Find the way [CD]