Beatles

This landmark compilation has introduced of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 12 additional tracks added chronologically, including for the first time some of George Harrison's earliest songs and some classic Beatles versions of R&B and rock 'n' roll hits that were so influential on the band.<br/><br/>The 2CD collection now contains 38 tracks, 30 of which have new mixes for 2023. The booklet contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1962 - 1966collection is a joyous celebration of The Beatles' timeless musical legacy.

This landmark compilation has introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collection has been expanded with 9 additional tracks, including "Blackbird", "Glass Onion" and the new song, "Now And Then". The last Beatles song, "Now And Then" completes John Lennon's 1970s vocal and piano demo recording with parts played by Paul McCartney, George Harrison and Ringo Starr, as well as a new arrangement for strings. <br/><br/>The 2CD collection now features 37 tracks, 6 of which have new mixes for 2023. The booklet contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1966 - 1970collection is a joyous celebration of The Beatles' timeless musical legacy.

Världens genom tiderna bästa rockplatta?<br/>50 år efter att Beatles överraskade musikvärlden med denna evigt unga klassiker är det fortfarande många som anser att "Sgt Pepper" håller ställningen i toppen. <br/><br/>Som 50-årspresent till alla musikälskare släpps nu albumet i flera olika versioner: CD, dubbel-CD, vinyl, DL och - inte minst fullmatad en Deluxebox med 4 CD, BR och DVD. Plattan ges ut i en ny fräsch stereomix av Giles Martin. Detta är också första gången som en Beatlesskiva mixats om sedan utgivningen 2003 av "Let It Be. Naked". <br/><br/>Men dessutom kan fantasterna glädjas åt mängder av tidigare outgivna versioner och tagningar av de klassiska låtarna som bonus. På Deluxe-boxen ryms hela tre extra-CD med spännande versioner och nya mixar i såväl stereo som mono. Dessutom ingår singelspåren "Strawberry Fields Forever" och "Penny Lane" som ursprungligen var tänkta att ingå på plattan. På BR och DVD återfinns en ny 5.1 Stereo Mix, en dokumentär, videor och andra godsaker. Och tidlös magisk musik. Årets återutgivning? Utan tvekan.

Beatles: Live in Stockholm 1964 [Vinyl LP]

Efter de rosade succéerna med deluxe-utgåvorna av "Sgt Pepper" och "White Album" (2017 och 2018) är det nu dags för nästa välmatade utgåva med tidlös Beatles-magi. Den 8 augusti 1969 fotograferades bandet på ett övergångsställe på Abbey Road i nordvästra London, nära skivbolaget EMI:s studio. Den 26 september släpptes "Abbey Road" - skivan med bandets sista studioinspelningar. Och en av de stora rockklassikerna. I likhet med tidigare deluxe-utgåvor kan Universal bjuda på en fantastisk, spännande musikalisk djupdykning: hela albumet i en ny, fräsch stereomix av Giles Martin och sessions, varav de allra flesta är tidigare outgivna. En värdig hyllning till finalen av en oöverträffad popkarriär. <br/> <br/><br/>Expanded 2CD package features the new stereo album mix on and adds a second CD of demos and outtakes.<br/>Limited.

2CD in digipak with a 40-page booklet.<br/><br/>DISC 1: Revolver (New stereo mix): 14 tracks.<br/>DISC 2: Sessions highlights + "Paperback Writer" & "Rain" (New stereo mixes): 15 tracks.<br/><br/><br/>The Revolver album's 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album's original mono mix is sourced from its 1966 mono master tape. Revolver's sweeping new Special Edition follows the universally acclaimed remixed and expanded Special Editions of Sgt. Pepper's Lonely Hearts Club Band (2017), The BEATLES ('White Album') (2018), Abbey Road (2019), and Let It Be (2021). <br/> <br/>All the new Revolver releases feature the album's new stereo mix, sourced directly from the original four-track master tapes. The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson's WingNut Films Productions Ltd.

REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL.<br/>180 gram. <br/><br/>There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.<br/><br/>The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. <br/><br/>A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers. <br/><br/>The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. <br/><br/>Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.<br/><br/>The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.<br/><br/>An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP. <br/><br/>Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.