Jarrett Keith
Mest sålda
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Title:
Creation 2015
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Reviews:
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Release Date:
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Genre:
- Jazz
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Format:
CD
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Availability:
Beställd från leverantör
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Description:
Creation features music selected by Keith Jarrett from his improvised solo concerts recorded in 2014 in Japan, Canada, and Europe. Where in the past the solo documentation has shown the improvisational process unfolding over the course of a single evening, this time Jarrett zeroes in on the most re...
Creation 2015 CD
Creation features music selected by Keith Jarrett from his improvised solo concerts recorded in 2014 in Japan, Canada, and Europe. Where in the past the solo documentation has shown the improvisational process unfolding over the course of a single evening, this time Jarrett zeroes in on the most revelatory moments from six concerts in Tokyo, Toronto, Paris and Rome and shapes a new dramaturgy from the intuitive sequencing of the material. With this rewarding departure, Keith Jarrett gives us here the most up-to-the minute account of his spontaneously created music. (Creation is one of two releases issued on May 8th, Keith Jarrett's 70th birthday, the second album being an ECM New Series recording of the pianist playing concertos of Samuel Barber and Béla Bartok).
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Title:
No end 2013
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Reviews:
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Release Date:
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Genre:
- Jazz
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Format:
2 CD
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Availability:
Fåtal i lager Leveranstid: från 1 vardag
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Description:
"No End" was recorded at Cavelight, Keith Jarrett's home studio, in 1986. In his liner notes he describes the setting: "The Studio: Cables and cords everywhere. A drum set in the corner. Tablas and percussion, instruments of all kinds strewn around the room. A beautiful deep red Gibson solid-body o...
No end 2013 2 CD
"No End" was recorded at Cavelight, Keith Jarrett's home studio, in 1986. In his liner notes he describes the setting:<br/><br/>"The Studio: Cables and cords everywhere. A drum set in the corner. Tablas and percussion, instruments of all kinds strewn around the room. A beautiful deep red Gibson solid-body on a vertical stand alongside a blond wood classic Fender bass in its stand, both in front of the same blond wood chair which was directly opposite the drums. The tablas were on my American Steinway. Microphone stands were in front of the guitars, holding (to the best of my knowledge) a Neumann stereo microphone, and I believe another identical microphone was on a boom over the tablas. All the other percussion was played using the room as the guide as to where to stand or how loud to play, though I had to do many tests to achieve some intuition about this. My studio is very small, so I didn't move the drum set at all, or the microphone while playing the drums.<br/><br/>In the control room were two Tandberg cassette recorders which were used exclusively for this project; so I would record something first, then overdub, using headphones as a guide to the volume or position I needed to use, then overdub (with headphones, always) again, each time transforming the new information to the 'other' machine. Then I would put the newly recorded tape in the first machine, start them both, and run into the studio to overdub or start the next piece. Not a single machine breakdown occurred despite the fact that no one was in the control room monitoring anything.<br/><br/>There was really, to my knowledge, no forethought or 'composition' (in the typical sense) going on; just a feeling or a rhythmic idea or a bass line concept or melody. But none of this was written down. Beginnings and endings were either hit-or-miss or just plain astoundingly intuitive.<br/><br/>I used a small mixing board and a little reverb to send the sound out to the headphones and simultaneously onto tape. I honestly can't remember a hell of a lot about the details, but somehow something happened during these days in the 80's that won't ever be repeated. I had wanted to record on drums most of my life, and when I got the tape out recently, I thought I'd better run with it.<br/><br/>(....) Drums were always with me in some way. (...) I have always been drawn to instruments that you touch directly, without a mechanism in between. Therefore, I cannot say I have ever loved the piano as much as the drums or the guitar. And, though I have a reputation for being in the acoustic world, I have always loved electric guitar."<br/><br/><br/>.
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Title:
Carnegie Hall concert 2006
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Reviews:
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Release Date:
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Genre:
- Jazz
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Format:
2 CD
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
Keith Jarrett följer här upp 2005 års succé "Radiance" (hans första improviserade konsert på tio år) med ännu en makalös solokonsert - inspelad i legendariska Carnegie Hall i New York. Och vilken konsert det är! Detta är helt enkelt en enorm uppvisning av hela Jarretts musikaliska bredd, med allt f...
Carnegie Hall concert 2006 2 CD
Keith Jarrett följer här upp 2005 års succé "Radiance" (hans första improviserade konsert på tio år) med ännu en makalös solokonsert - inspelad i legendariska Carnegie Hall i New York. Och vilken konsert det är! Detta är helt enkelt en enorm uppvisning av hela Jarretts musikaliska bredd, med allt från funkig gospel-blues via expressiva improvisationer till magiska ballader. Publiken ropade tillbaka honom fem gånger! Som sagt: ännu ett mästerverk.
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Title:
Concerts - Bregenz/Munich
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Reviews:
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Release Date:
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Genre:
- Klassiskt
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Format:
3 CD
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
Jarrett Keith: Concerts - Bregenz/Munich [3 CD]
Concerts - Bregenz/Munich 3 CD
Jarrett Keith: Concerts - Bregenz/Munich [3 CD]
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Title:
Concerts Bremen/Lausanne 1973
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Reviews:
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Release Date:
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Genre:
- Jazz
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Format:
2 CD
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
Jarrett Keith: Concerts Bremen/Lausanne 1973 [2 CD]
Concerts Bremen/Lausanne 1973 2 CD
Jarrett Keith: Concerts Bremen/Lausanne 1973 [2 CD]
Nytt från Jarrett Keith
Book of ways 1987
Återutgivning av Keith Jarretts milstolpe "Book of Ways" från 1986, där han improviserar helt fritt på tre olika clavichord, ställda i vinkel så att han kunde spela på flera instrument samtidigt.
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