NAX

Byström Malin: Orchestral songs 2019 [Digipack / CD]

Negro Lucia: Revived piano treasures [Digipack / CD]

Beethoven: The complete piano variations [6 SACD Hybrid]

Inspelning gjord i Riddarsalen i Bellmanhuset på Urvädersgränd 3 i Stockholm, i februari 2022.<br/><br/>Arrangemangen som är skrivna av Åke Uddén (1903-1987) visar vilka synnerligen vackra melodier Bellman använde till sina dikter, både till de pastorala naturskildringarna och till de mer burleska sångerna med både fylla och skörlevnad. Besättningen - stråktrio med oboe och horn - är vald för att återskapa den musikaliska klangvärld som omgav Bellman. Det är ju, kan man säga, en liten symfoniorkester i miniatyr. Denna musikaliska värld har helt klart inspirerat Carl Michael till att - tillsammans med sina dikter - skapa Fredmans Epistlar och Sånger.

Martin Fröst, clarinet<br/>Janine Jansen & Boris Brovtsyn, violins;<br/>Maxim Rysanov, viola; Torleif Thedéen, cello;<br/>Roland Pöntinen, piano<br/><br/>Johannes Brahms's Clarinet Quintet is core repertoire, not just for clarinettists but also in the entire chamber music genre. As such, it has been on Martin Fröst's 'to-be-recorded list' for a long time, and when he gathered a dream-team of string players for a concert in Stockholm in February 2013, it was the perfect opportunity for BIS to organize a recording session. Brahms's Quintet was written in 1891 by a composer who only a year previously had renounced composing, but whose creative urge had been reawakened by his encounter with the leading clarinettist of the time, Richard Mühlfeld. Some 120 years later, Fröst - one of today's most highly regarded musicians and the recipient of the 2014 Sonning Prize - steps into Mühlfeld's shoes, in the company of Janine Jansen, Boris Brovtsyn, Maxim Rysanov and Torleif Thedéen. As a complement to this substantial work - with a duration of almost 35 minutes - Martin Fröst has transcribed six much-loved songs by Brahms, performing them with his chamber music partner of long standing, the eminent pianist Roland Pöntinen. The songs, composed between 1866-1886, range from high lyricism (Die Mainacht) to bitter-sweet nostalgia (Wie Melodien...), via the humourous Vergebliches Ständchen. To these new recordings has been added a substantial 'bonus' - Martin Fröst's performance with Pöntinen and Thedéen of the Trio for clarinet, cello and piano, which Brahms composed for Mühlfeld in the same year as the quintet. Originally released in 2005, the recording of the Trio received a warm welcome, including an Editor's Choice in Gramophone, as well as a 'Disc of the Month' on website ClassicsToday.com.

Hilliard Ensemble: Il Cor Tristo [CD]

Brahms: Piano sonata No 3 (Per Tengstrand) [CD]