WMS

Den här veckan är det 30 år sedan Lisa Ekdahls självbetitlade debutalbum släpptes. Det firas med att för första gången pressa plattan på vinyl! <br/><br/>När den gavs ut 1994 gick marknaden över till CD och vinylformatet övergavs. <br/>Albumet blev hursomhelst en omedelbar succé och lade grunden för Lisas fortsatta karriär. Med låtar som "Vem vet", "Benen i kors" och "Öppna upp ditt fönster" toppade albumdebuten listorna i Sverige och Norge och passerade nyligen gränsen för 6 x platina i Danmark. Med sin jazziga vispop skrev Lisa Ekdahl in sig i historieböckerna om den svenska popmusiken.

Gessle Per + Uno Svenningsson: Har på känn [Vinyl 7"]

Double vinyl LP pressing. Long-awaited 2015 album from the Britpop heavyweights, their first studio album with the original quartet in 16 years. The recordings for the band's eighth studio album began in Spring 2013 at Avon Studios in Kowloon. Damon Albarn, Graham Coxon, Alex James and Dave Rowntree spent 5 days jamming together and carried on with their live dates while the recordings were put aside and the group finished touring and returned to their respective lives. Dave resumed his day job as a lawyer and Alex returned home to his farm in Oxfordshire from where he writes a regular farming column in The Telegraph and hosts the annual food and music festival The Big Feastival with Jamie Oliver. Graham, who has released eight critically acclaimed solo albums to date, continued to work on his own material and, in 2014, Damon released his Mercury-nominated debut solo album Everyday Robots. Then, in November last year, Graham revisited the tracks and, drafting in Blur's early producer Stephen Street (Leisure, Modern Life is Rubbish, Parklife, The Great Escape, Blur), he worked with the band on the material. Damon then added lyrics and the 12 tracks on The Magic Whip is the result.

Weezer: OK Human [Vinyl LP]

Stewart Rod: Ultimate hits (Green) [Gatefold / 2 Vinyl LP]

Weller Paul: Find El Dorado [2 Vinyl LP]

140g vinyl, Crystal Clear Diamond Color.<br/><br/>The first release from the folk rock supergroup was a wild success, bringing together members of Buffalo Springfield and The Hollies in Crosby, Stills, and Nash after a meeting at a Laurel Canyon party. Their self-titled debut, featuring the famous cover photo by Henry Diltz, features their trademark harmonies and guitar work, as well as memorable classics from "Marrakesh Express" to "Suite: Judy Blue Eyes," "Helplessly Hoping" to "Wooden Ships," all of which became canon of the folk-rock foundation that drove the cultural sea change out of Lauren Canyon in the latter half of the 60s.