WMS

Slipknot: Slipknot (25th anniversary) [2 Vinyl LP]

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."

Hammer King: Make metal royal again [Vinyl LP]

Jethro Tull celebrates the 50th anniversary of their eight studio album, Minstrel in the Gallery, with a new marbled vinyl. Originally released on 5th September 1975, the album saw the band going in a different direction from their previous work and returning to a blend of electric and acoustic songs. The new 1LP is using Steven Wilson's remix of the album.<br/><br/>That juxtaposition of acoustic and electric has been a feature of Jethro Tull's music throughout their career, but is perhaps never better exemplified than on Minstrel In The Gallery which, after earlier albums' tags of 'blues' and 'prog', is unequivocally a 'rock' album, albeit with a maturity and sophistication both lyrically and harmonically which highlighted Tull's originality.<br/><br/>It was the last album of theirs to feature bassist Jeffery Hammond. Minstrel in the Gallery was a top 20 album across the world and has since been certified gold in the US and Canada and silver in the UK.

Robert Plant's Saving Grace, his first album with a new band of distinguished players, is what he calls "a song book of the lost and found." Its genesis was during lockdown in "The Shire," when Plant's customary wandering was all but forbidden. It was in the English countryside that he connected closely to this diverse group of musicians-vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown-who had a shared lean towards his corners of evocative song. Produced by Plant and the band and recorded over six years in the Cotswolds and on the Welsh Borders, Saving Grace breathes fresh life into a treasury of songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.

8-track release based on the original remix album envisioned by Madonna back in 1998 and named after her 'Ray of Light' alter ego. Features newly edited versions of club remixes by Peter Rauhofer, William Orbit, Sasha, BT, and Victor Calderone, along with the original demo of "Gone, Gone, Gone"- a previously unreleased recording produced by Madonna and Rick Nowels. Repressed on clear vinyl and it comes in a silver printed mylar jacket.