Not Now

Glenn Miller, leader of the best-loved dance band of all time enlisted in 1942 in a personal crusade to entertain Allied troops with his own distinctive brand of music. Whether delivering ballads or setting the dancefloor moving with 'Pennsylvania 6-5000' and 'The Woodpecker Song', Miller and his merry men set the mood of not only his fellow troops but whole nations. He, and they, will never be forgotten.

Fitzgerald Ella & Billie Holiday: At Newport [Vinyl LP]

180 gram vinyl.<br/><br/>Just as Liverpool named its airport after John Lennon, New Orleans' gateway to the sky now bears the name of another musical giant. Like the late Beatle, Louis Armstrong put his home town firmly on the map, and his legacy will be listened to and appreciated for as long as music is played. Wherever in the world you fly from New Orleans, the name of Louis Armstrong is known, revered and respected. Here's a selection of his greatest songs that tell you exactly why.

Red vinyl. Gatefold.<br/><br/>Miles Davis, one of the world's most celebrated musicians, is heard at his very best on this essential collection of many of his finest performances. During a long and turbulent career, the trumpeter, composer and band leader pioneered a new style of sophistication in jazz that spilled over into contemporary culture and made him the King of Cool. Whatever the challenge, whatever the style, from blues to bop, Miles Davis always played with careful consideration and natural brilliance. So What? So good!

180 gram vinyl.

Simone Nina: Platinum collection (White) [3 Vinyl LP]

180 gram vinyl.<br/><br/>'My Favorite Things' is a key item in Coltrane's discography. He had already recorded some sides for Atlantic Records but these had been made with pick-up groups and showed 'Trane' very much in the accepted hard bop idiom, albeit making grand strides forward with his playing and harmonic searching. Here though, was the first album recorded with his new working outfit with McCoy Tyner and Elvin Jones (Steve Davis, although perfectly capable was merely the first in a line of bassists Coltrane worked his way through before settling on Jimmy Garrison). The music created for this album in late 1960 differed radically from what had preceded it as Coltrane forged his own pioneering path drawing on the modal experiments he'd been involved in with his final leader, Miles Davis.