Parlophone

I boxen "Every Bit Of My Life 1967-2017" summeras ett halvt sekel Björn Skifs på skiva på 24 CD. Det är en mäktig musikalisk historieskrivning över en av Sveriges mest framgångsrika artistkarriärer någonsin. Här finns alla hans 16 soloalbum, skivorna med Björns 60-talsgrupp Slam Creepers', de två klassiska albumen med Björn Skifs och Blåblus (Blue Swede) och albumet med gruppen Zkiffz.<br/><br/>Men det slutar inte där. I boxen ingår även fyra fullmatade bonusskivor, "Singlar, duetter, outgivet och annat vol. 1-4". Där finns hits, obskyra B-sidor, höjdpunkter ur musikalsuccén "Spök!", samarbetet med låtskrivaren David Foster, och mycket mer. <br/>En stor del av materialet släpps på CD för första gången. <br/><br/>"Jag har själv aldrig ens kunnat föreställa mig att alla mina skivor skulle komma att samlas i en så här fin liten box. Men här är de - och lite till, säger en stolt Björn Skifs och fortsätter:<br/>"Det är både enastående och smått ofattbart. Något som också gör mig riktigt stolt, är att träffa folk som berättar att jag genom min musik har inspirerat dem att själva bli musiker eller sångare".<br/><br/>Boxen inkluderar en 104-sidig booklet, späckad med av unikt bildmaterial, formgiven av Pär Wickholm. I omfattande intervjuer, exklusivt gjorda för denna box, berättar Skifs och producenterna för musikjournalisten Anders Lundquist om samtliga albuminspelningar.<br/>Redaktören Lars Nylins förord placerar sångaren och uttolkaren Björn Skifs i ett större musikhistoriskt sammanhang.<br/><br/>Björn Skifs firade i våras sin 70-årsdag och kan se tillbaka på ett framgångsrikt år med succéartade arenakonserter tillsammans med Tommy Körberg, ett nytt samlingsalbum och fortsatta framgångar för showen "Lite nu och då" på Göta Lejon.<br/>Hur vill Björn själv att hans lyssnare ska känna när de fördjupar sig i boxen?<br/><br/>"Förhoppningsvis blir reaktionen något i stil med "oj, vad han har hunnit med - och en del var faktiskt inte så dumt!" Kanske blir de också lite överraskade över allt jag har gjort. För ingen kan i alla fall klaga på genrebredden", skrattar Björn. "Boxen rymmer kanske inte v-a-r-j-e bit av mitt musikaliska liv, som titeln antyder - men nästan!"<br/><br/>Med "Every Bit Of My Life" blir skivartisten Björn Skifs extremt mycket tydligare än den som alltför ofta bara sammanfattas med att "Hooked on A Feeling" blev Billboardetta i USA i april 1974.

On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary picture disc LP with a poster pressed from the same master.<br/><br/>The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., 'FAME', co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.<br/> <br/>The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. <br/> <br/>During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). <br/> <br/>When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December '74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles 'ACROSS THE UNIVERSE' and a new collaborative composition, 'FAME' at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin.<br/> <br/>Bowie opted not to tour following YOUNG AMERICANS' release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. <br/> <br/>This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer.

This is a straight reissue of the first greatest hits collection released by the Pet Shop Boys, Discography : The Singles Collection, but now including updated remasters from 2023.

This is the first ever Iron Maiden Zoetrope picture disc vinyl featuring unique zoetrope artwork. The original sleeve has been expanded and contains new artwork and exclusive notes from Steve Harris.

On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP.<br/><br/>The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., 'FAME', co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.<br/> <br/>The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. <br/> <br/>During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). <br/> <br/>When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December '74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles 'ACROSS THE UNIVERSE' and a new collaborative composition, 'FAME' at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin.<br/> <br/>Bowie opted not to tour following YOUNG AMERICANS' release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. <br/> <br/>This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.

Kraftwerk: Autobahn (Picturedisc) [Vinyl LP]

3 x 180g 12" Black vinyl album.