Parlophone
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Title:
Atlantis
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Reviews:
-
Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
2 Vinyl LP
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Availability:
Finns i lager Leveranstid: från 1 vardag
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Description:
Med albumet Atlantis 2005 fick Eldkvarn ytterligare en nytändning i sin redan då enormt långa karriär. De var tillbaka på EMI och de hade även hittat en helt ny producent i Jari Haapalainen som ingöt ny energi i bandet och satte sin prägel på den här plattans unika sound. Håkan Hellström gästar i e...
Atlantis 2 Vinyl LP
Med albumet Atlantis 2005 fick Eldkvarn ytterligare en nytändning i sin redan då enormt långa karriär. De var tillbaka på EMI och de hade även hittat en helt ny producent i Jari Haapalainen som ingöt ny energi i bandet och satte sin prägel på den här plattans unika sound. Håkan Hellström gästar i en euforisk Konfettiregn och även Christer Sjögren finns med som duettpartner till Plura på "Skuggan av en man som svek". <br/>Det finns i övrigt en rad klassiska Eldkvarnpärlor på det här hyllade albumet, "Stockholm noll fem noll", "Man över bord","Jag är det hjärta" och "Stjärnan på min himmel" är bara några av höjdpunkterna.<br/><br/>Albumet innehåller också 4 bonusspår med några av albumets spår i unika liveversioner, bl.a. "Konfettiregn" med Håkan Hellström inspelad på Eldkvarns 40års konsert på Cirkus.
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Title:
Moonage daydream (Soundtrack)
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Reviews:
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Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
3 Vinyl LP
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Description:
MOONAGE DAYDREAM illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time. Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen's (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) fe...
Moonage daydream (Soundtrack) 3 Vinyl LP
MOONAGE DAYDREAM illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time. Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen's (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) feature length experiential cinematic odyssey explores David Bowie's creative, musical and spiritual journey. The film is guided by David Bowie's own narration and is the first officially sanctioned film on the artist. <br/><br/>The companion album to MOONAGE DAYDREAM features songs from spanning Bowie's career and includes previously unheard material, unique mixes created for the film and this release along with dialogue from Bowie himself. <br/> <br/>Highlights include a previously unreleased live medley of 'The Jean Genie / Love Me Do / The Jean Genie' recorded live at the final Ziggy Stardust concert at Hammersmith Odeon in 1973, featuring Jeff Beck on guitar. Other rarities include an early version of the Hunky Dory favourite 'Quicksand' and a previously unreleased live version of 'Rock 'n' Roll With Me' from the legendary 1974 'Soul Tour'.
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Title:
Diamond dogs (Picturedisc)
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Reviews:
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Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
Vinyl LP
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Availability:
Fåtal i lager Leveranstid: från 1 vardag
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Description:
Bowie David: Diamond dogs (Picturedisc) [Vinyl LP]
Diamond dogs (Picturedisc) Vinyl LP
Bowie David: Diamond dogs (Picturedisc) [Vinyl LP]
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Title:
Magical mystery tour (2009/Rem)
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Reviews:
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Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
Vinyl LP
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL. 180 gram. There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it w...
Magical mystery tour (2009/Rem) Vinyl LP
REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL.<br/>180 gram. <br/><br/>There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.<br/><br/>The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. <br/><br/>A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers. <br/><br/>The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. <br/><br/>Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.<br/><br/>The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.<br/><br/>An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP. <br/><br/>Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.
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Title:
Aqualung (Reissue)
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Reviews:
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Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
Vinyl LP + Download
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
2011 Steven Wilson stereo remix. 180 gram vinyl.
Aqualung (Reissue) Vinyl LP + Download
2011 Steven Wilson stereo remix.<br/>180 gram vinyl.
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Title:
Live at Knebworth 1990 (45 RPM)
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Reviews:
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Release Date:
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Genre:
- Pop
- Rock & Punk
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Format:
2 Vinyl LP
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Availability:
Beställningsvara Leveranstid: från 7 vardagar
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Description:
The concert was part of the star-studded 1990 Silver Clef Winners performance at Knebworth House, Hertfordshire, headlined by Pink Floyd. The monumentous Silver Clef Award Winners Knebworth concert saw Pink Floyd topping the all-star bill that included Paul McCartney, Dire Straits, Genesis, Phil Co...
Live at Knebworth 1990 (45 RPM) 2 Vinyl LP
The concert was part of the star-studded 1990 Silver Clef Winners performance at Knebworth House, Hertfordshire, headlined by Pink Floyd. <br/><br/>The monumentous Silver Clef Award Winners Knebworth concert saw Pink Floyd topping the all-star bill that included Paul McCartney, Dire Straits, Genesis, Phil Collins, Mark Knopfler, Robert Plant (with Jimmy Page), Cliff Richard, Eric Clapton and Tears For Fears. Around 120,000 music fans saw these giants of rock appear on the hallowed stage of Knebworth, all in aid of the Nordoff Robbins charity, profits from which went towards setting up the BRIT School. The concert was broadcast globally on MTV.<br/><br/>David Munns, Chairman of Nordoff Robbins, remembers the event well: "The Knebworth Concert was a defining moment in the music industry's commitment to Nordoff Robbins, the BRIT Trust and the concept of the BRIT School. What a fantastic day it was, culminating in this brilliant performance by Pink Floyd. The money raised allowed the BRIT School to come into being and allowed Nordoff Robbins to significantly expand its service. Knebworth will go down in history as one of those great moments and the music industry should be very proud of what it achieved."<br/> <br/>Nick Mason also reminisces about the gig: "There is something special about Knebworth. We all still have fond memories of playing there in the 70's, and this show was no different. As a North London boy this was almost a home game, but with the added delight of being the re-assembly of the band after a fairly mega tour that had lasted for well over a year. It was also an opportunity to get the wonderful Candy Dulfer to play - I had been a fan of hers for quite a while, and it was just a shame we didn't have an opportunity to utilise her for more. We also had our dear friend Michael Kamen guesting. Michael had contributed so much to PF over the previous ten years, it's great to have something of his playing on the recording."<br/><br/>Pink Floyd - David Gilmour, Nick Mason and Richard Wright - were joined on stage by members of their touring band including Guy Pratt, Jon Carin, Tim Renwick and Gary Wallis. Backing vocals came from Durga McBroom, Sam Brown and her mother Vicki, and (original The Great Gig In The Sky vocalist) Clare Torry. Pink Floyd also welcomed guest musicians including sax player Candy Dulfer and keyboard player and composer Michael Kamen. David Gilmour and Andy Jackson have remixed the audio from this iconic concert featuring all seven tracks performed on the day, and the album features new artwork shot by Floyd collaborator Aubrey 'Po' Powell of Hipgnosis and designed by Peter Curzon of Storm Studios.
Utvalt - Parlophone
Atlantis
Med albumet Atlantis 2005 fick Eldkvarn ytterligare en nytändning i sin redan då enormt långa karriär. De var tillbaka på EMI och de hade även hittat en helt ny producent i Jari Haapalainen som ingöt...
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