Parlophone

Whitesnake scored its first platinum-selling album in 1984 with Slide It In, a release that has sold more than four million copies worldwide thanks to hard-rocking songs like "Love Ain't No Stranger," "Slow An' Easy" and the title track. The classic album turns 35 this year and Rhino is celebrating with several new versions, including an enormous seven-disc box set.<br/><br/>After releasing Saints & Sinners in 1982, Whitesnake reconvened the following year in Germany to begin recording songs for what would become the band's sixth studio album, Slide It In. At the time, band members included Coverdale, guitarists Micky Moody and Mel Galley, bassist Colin Hodgkinson and keyboardist Jon Lord. The album was initially released in 1984 in the U.K., where it climbed into the Top 10. <br/><br/>SLIDE IT IN: THE ULTIMATE SPECIAL EDITION features unreleased versions of every album track, including 35th Anniversary remixes made this year, as well as monitor mixes recorded in 1983. The set boasts more than a dozen unreleased live recordings from 1984 that feature an entire concert from Glasgow, Scotland, plus several songs from Lord's final show with Whitesnake in Sweden. The collection's final disc unearths 30 tracks that cover original demos and early mixes for album tracks, as well as unfinished song ideas.<br/><br/>The DVD from SLIDE IT IN: THE ULTIMATE SPECIAL EDITION mixes music videos and live performances, all of which have been carefully restored and remixed in 5.1 Surround Sound for the first time ever. A newly recorded interview with singer David Coverdale rounds out the DVD.

Known for their innovative fusion of progressive rock and folk influences, Jethro Tull announces 40th anniversary editions of their fourteenth album 'Broadsword And The Beast'. <br/>Originally released in 1982, it was a groundbreaking album that captivated fans with its distinctive blend of rock, folk, and progressive influences. <br/><br/>The album's masterful storytelling, accompanied by Ian Anderson's unmistakable flute melodies, garnered critical acclaim and has become a fan favourite over the years.<br/>The 40th Anniversary packages includes new mixes from Steven Wilson, demos, rough mixes, live recordings and sessions from 1981

Marillion: Season's end (Deluxe/Rem) [5 Vinyl LP]

To celebrate 50 years since the start of Tina Turner's iconic solo career, 'Queen of Rock 'n' Roll' is a huge compilation of 55 tracks that compiles an incredible anthology of Tina's legendary solo career through her singles. <br/><br/>From her cover of 'Whole Lotta Love' all the way up to the Kygo remix of 'What's Love Got to Do With It' in 2020, this is the first time her whole singles collection has been released as one set.

Super Deluxe Boxset featuring CD, Blu Ray and Exclusive Memorabilia.

Muti Riccardo: Complete Warner symphonic rec. [91 CD]

TOY was recorded following David's triumphant Glastonbury 2000 performance. Bowie entered the studio with his band, Mark Plati, Sterling Campbell, Gail Ann Dorsey, Earl Slick, Mike Garson, Holly Palmer and Emm Gryner, to record new interpretations of songs he'd first recorded from 1964-1971. David planned to record the album 'old school' with the band playing live, choose the best takes and then release it as soon as humanly possible in a remarkably prescient manner. Unfortunately, in 2001 the concept of the 'surprise drop' album release and the technology to support it were still quite a few years off, making it impossible to release TOY, as the album was now named, out to fans as instantly as David wanted. In the interim, David did what he did best; he moved on to something new, which began with a handful of new songs from the same sessions and ultimately became the album HEATHEN, released in 2002 and now acknowledged as one of his finest moments. <br/> <br/>Now twenty years after its originally planned release, David's co-producer Mark Plati says, "Toy is like a moment in time captured in an amber of joy, fire and energy. It's the sound of people happy to be playing music. David revisited and re-examined his work from decades prior through prisms of experience and fresh perspective - a parallel not lost on me as I now revisit it twenty years later. From time to time, he used to say 'Mark, this is our album' - I think because he knew I was so deeply in the trenches with him on that journey. I'm happy to finally be able to say it now belongs to all of us".<br/><br/>(TOY:BOX) is a special edition of the TOY album. The 'capture the moment' approach of the recording sessions are extended to the sleeve artwork designed by Bowie featuring a photo of him as a baby with a contemporary face. The package also contains a 16-page full-colour book featuring previously unseen photographs by Frank Ockenfels 3.<br/><br/>The seeds of TOY were first sown in 1999 during the making of an episode of VH-1 Storytellers. David wanted to perform something from his pre-'Space Oddity' career, so he reached back to 1966 and dusted off 'Can't Help Thinking About Me' for the first time in thirty years. The song remained in the setlist for the short promotional tour for the 'hours...' album, and in early 2000 David and producer Mark Plati compiled a list of some of Bowie's earliest songs to re-record.<br/><br/>TOY finishes with a new song from which the album takes its title, 'Toy (Your Turn To Drive)' was constructed from a jam at the end of one of the live takes of 'I Dig Everything'. The track is based around rearranged sections of Sterling Campbell's drums, Gail Ann Dorsey's bass and sections of Mike Garson's piano were looped along with a guitar line of Earl Slick's that was sampled, time stretched and used as a repeating figure. Lastly, some of Holly and Emm's backing vocals from the body of 'Dig Everything' were cut up and reassembled. Producer Mark Plati "As it was culled from 'I Dig Everything' it makes sense to bookend the album with this track - it's also a fitting postscript to the TOY era".<br/> <br/>Included in TOY:BOX is a second set of 10"s of alternative mixes and versions including proposed B-Sides (versions of David's debut single 'Liza Jane' and 1967's 'In The Heat Of The Morning'), later mixes by Tony Visconti and the 'Tibet Version' of 'Silly Boy Blue' recorded at The Looking Glass Studio time at the of the 2001 Tibet House show in New York featuring Philip Glass on piano and Moby on guitar.<br/><br/>The third set of 10"s features 'Unplugged & Somewhat Slightly Electric' mixes of thirteen TOY tracks. Producer Mark Plati "While we were recording the basic tracks Earl Slick suggested that he and I overdub acoustic guitars on all the songs. He said this was a Keith Richards' trick, sometimes these guitars would be a featured part of the track, and at other times they'd be more subliminal. Later while mixing, David heard one of the songs broken down to just vocals and acoustic guitars; this gave him the idea that we ought to do some stripped-down mixes like that and that maybe one day they'd be useful. Once we put a couple of other elements in the pot, it felt like it could be a completely different record. I was only too happy to finish that thought some two decades after the fact".