Engelska

In this fascinating collection, Jenny Erpenbeck meditates on the disappearance and impermanence of things. Whether recalling the demolition of familiar places, the loss of a friendship, or a change in social attitudes, Erpenbeck's sharp intelligence, eye for telling detail, and her nuanced perspective on her country's history and her own writing lifeimbue these short pieces with lasting power.

<b>With care and vulnerability, novelist and poet Lang Leav explores what it means to live a purpose-filled life as a woman in search of fulfillment and visibility. </b><br/><br/>Through poetry, micro-essays, and ruminations, <i>Soon It Will Be Sunday</i> delves into the purpose and impact of the interpersonal attachments that women form during different stages of their lives. Internationally bestselling author Lang Leav reflects on the perilous and winding road of being a woman, contending with the conflicting messages we receive from society, and the choices we make that ultimately define us, while also addressing the narrowing options women face with the passing of time.<br/><br/> Deeply personal and all too relatable, <i>Soon It Will Be Sunday</i> aims to provide a mirror for women to see and be seen no matter which era of womanhood you are currently navigating.

Stop All The Clocks [Bok / Inbunden]

<i>It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent...</i><br/><br/>In the Welsh seaside town of Llaggerub, night is moving in the streets. Its inhabitants are lost in the land of dreams: old Captain Cat catches up with his drowned shipmates, Mog Edwards the draper is consumed by mad love for Miss Price the dressmaker, and Mrs Ogmore-Pritchard whips the ghosts of her two late husbands into shape. As the sun rises, the 'dismays and rainbows' of each character are played out within the cycle of one day, intertwining voices and lives, dreams and reality. By turns tender, hilarious and beautifully lyrical, Dylan Thomas's 'play for voices' is his most beloved work and a landmark of Welsh literature.

<b>From Yours Truly to Wicked, Dangerous Woman to Eternal Sunshine, this is the ultimate and most up-to-date music biography of Ariana Grande, taking you on a fascinating journey through her eras.</b><br/><br/>Pop icon, cultural superstar and the wearer of the most successful high ponytail in music history, Ariana Grande is the most streamed female artist ever. She has countless number one singles and albums under her belt but shows no sign of slowing down.<br/><br/>And how could she? Ariana's voice is a once-in-a-generation calling card. It's helped her transform from a children's TV actress to a debutante pop girlie in the making, on to a dominant force in pop music and someone who has shaped the careers of artists coming after her, and, now on to her latest and most surprising role yet; Oscar-nominated actress.<br/><br/><b>But who is Ariana Grande? And what does her music say about her?<br/><br/>This is the ultimate fan's book that will delve into the creation of her inimitable songs, as well as the astonishing woman who sings them.</b>

<b>WITH AN INTRODUCTION BY BILLY BRAGG</b><br/><br/>Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theatre of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria and even ideology of Nazism. Whether shock factor, stupidity, or crass attempt at subversion, rock 'n' roll has indulged these associations in a way not accepted by any other artform. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticised perversions of a fascist regime?<br/><br/>In <i>This Ain't Rock 'n' Roll</i>, award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists that have defined us, inspired us and given us joy - and consider why so many have been drawn to the imagery of a movement responsible for the twentieth century's worst atrocities. Alongside a sensitive history of the Holocaust and an examination of the place it holds in our cultural consciousness, Rachel asks essential questions of actions often overlooked or underplayed, whilst neither casting sweeping judgement nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll and sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today.

<b>'Fabulous... What a ghost story! A ripping read.' IAIN SINCLAIR, author of <i>London Orbital</i></b><br/><br/><b>'Vividly celebrates Bowie as not just a chameleonic visionary, but a nomadic one, a creature informed by place and circumstance.' STUART MACONIE</b><br/><b><br/><i>'Bowieland </i>will make you want to take your very own pilgrimage, accompanied by the great man's songs.' ALEXANDER LARMAN, <i>THE OBSERVER</i></b><br/><b><br/>'A sublime, time-travelling quest.' TIFFANY MURRAY, author of <i>My Family and Other Rock Stars</i></b><br/><b><br/>'A joyful and fascinating journey which anchors Bowie's genius in the pavements.' KEVIN LOADER, producer of <i>The Buddha of Suburbia<br/><br/></i></b><b>BOWIE IS STILL OUT THERE...</b><br/><br/>Following open heart surgery, Peter Carpenter was given one instruction - walk if you want to stay alive. So, when his hero died in 2016, he knew what he had to do. The figure who was to so many a companion and guide had left no single focal point for homage. To reconnect with him, Carpenter would take a walk into the past, to the places where David Jones became something more: David Bowie.<br/><br/>Leaving behind well-known shrines to Bowie, he journeyed through South London edgelands to obscurer haunts. Carpenter's quest, a series of happy accidents and chance meetings, took him to Bickley as well as Berlin and Brixton, to Eel Pie Island as well as Heddon Street and Beckenham.<br/><br/>Carpenter's perambulations echo Bowie's own wandering creative spirit. They reveal multiple influences, both conscious and unconscious, in Bowie's creative development. Ultimately, Carpenter reaches a fresh understanding of where Bowie sits in the culture, not as an outlier, but as part of a tradition, informed by those artists, poets and musicians who passed on their wisdom to him. A celebration of the revelatory powers of walking, and by no means just for Bowie obsessives, BOWIELAND opens up our geography in ways rarely seen or so well understood.