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Title:
On Reflection
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Description:
In On Reflection Richard Holloway thinks back on some of the questions that have shaped his life. Here, then, are the big asks: is there a God? How can we forgive? Where does creativity come from? How can we face loss and death? How can we live a good life? And how do we find beauty in the world? T...
On Reflection Bok
<p>In <i>On Reflection</i> Richard Holloway thinks back on some of the questions that have shaped his life. Here, then, are the big asks: is there a God? How can we forgive? Where does creativity come from? How can we face loss and death? How can we live a good life? And how do we find beauty in the world?<br/><br/>To this cause he also recruits the help of poets, writers, musicians and artists, whose own wisdom can help us navigate life's challenges. To 'reflect on' can also mean to change your mind; a necessary facility in any well-lived life. And this leads us to more of our big asks: how do we change the world for the better? How do we heal divisions? How does a society move forward?<br/><br/>In beautiful prose, and with care and joy, Richard Holloway offers his reflections on how a good life is one inspired by love and guided by knowledge.</p>
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Title:
Feeding The Monster
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Zombies want brains. Vampires want blood. Cannibals want human flesh. All monsters need feeding. Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critic...
Feeding The Monster Bok
<p><i>Zombies want brains. Vampires want blood. Cannibals want human flesh. </i>All<i> monsters need feeding.</i><br/><br/>Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of <i>The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets</i> and countless other horror films and TV series over the last few years, loving the genre still prompts the question: <i>what's wrong with you?</i> Implying, of course, that there is something <i>not quite right</i> about the people who make and consume it. In <i>Feeding the Monster</i>, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.</p>
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Title:
Time's Echo
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When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying fo...
Time's Echo Bok
<p>When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a revelatory case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past.<br/><br/>Eichler shows how four towering composers - Richard Strauss, Arnold Schoenberg, Benjamin Britten and Dmitri Shostakovich - lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving works of music, scores that carry forward the echoes of lost time. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the profound possibilities of art in our lives today.</p>
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Title:
An Inconvenient Place
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What is a place? A place where things happened, horrible things, the traces of which have been erased? Ukraine, for a long time, has been filled with these 'inconvenient places' which embarrass everyone, no matter which side of post-Soviet memorial politics they stand on: crimes of Stalinism, crime...
An Inconvenient Place Bok
<p>What is a place? A place where things happened, horrible things, the traces of which have been erased? Ukraine, for a long time, has been filled with these 'inconvenient places' which embarrass everyone, no matter which side of post-Soviet memorial politics they stand on: crimes of Stalinism, crimes of Nazism, crimes of nationalists, crimes of Russians; the killings follow one after -another on this battered territory which aspires only to a form of peace and normality.<br/>With the photographer Antoine d'Agata, before the full-scale Russian invasion of Ukraine, Jonathan Littell began to survey Babyn Yar, the site of the 1941 massacre of the Jews of Kyiv, and the traces left on the landscape. The war came to interrupt their work. It resumed quite quickly in another form, in another place, the small sub-urban town of Bucha, which became infamous after the discovery of the atrocities perpetrated there by the Russian occupying forces. Again, a place where things happened; again, a place whose traces we erase as quickly as possible. How then to write, how to photograph when, there is literally nothing to see - or almost nothing? </p>
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Title:
The Ways Of Paradise
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In his foreword to The Ways of Paradise, Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of ...
The Ways Of Paradise Bok
<p>In his foreword to <em>The Ways of Paradise</em>, Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of notes and fragments which form an enigmatic set of texts on the connections between art, literature, spirituality and the occult through history, with a particular focus on spirals and labyrinths. Ranging from the Crusades to Ruskin, Freud to surrealism, cubism, automatic writing, Duchamp, the Manhattan Project, Pollock and Smithson, this cult book, first published in Sweden in 1987, is translated into English for the first time by Saskia Vogel. </p>
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Title:
The Question Of Palestine
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This original and deeply provocative book was the first to make Palestine the subject of a serious debate - one that remains as critical as ever. With the rigorous scholarship he brought to his influential Orientalism and an exile's passion (he is Palestinian by birth), Edward Said traces the fatal...
The Question Of Palestine Bok
<p>This original and deeply provocative book was the first to make Palestine the subject of a serious debate - one that remains as critical as ever. With the rigorous scholarship he brought to his influential <em>Orientalism</em> and an exile's passion (he is Palestinian by birth), Edward Said traces the fatal collision between two peoples in the Middle East and its repercussions in the lives of both the occupier and the occupied - as well as in the conscience of the West. For anyone interested in this region and its future, <em>The Question of Palestine</em> remains the most useful and authoritative account available.</p>
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