Engelska

<p>The debut poetry collection by inaugural National Youth Poet Laureate Amanda Gorman. Including &quot;The Hill We Climb,&quot; the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, this debut collection of the same name reveals an energizing and unforgettable new voice in American poetry.</p>

<p><strong>Includes <em>A Summer's Day, Dream of Autumn</em> and<em> Winter</em></strong></p><br/><p>These three seasonal plays are typical Fosse, imbuing apparently mundane situations with an almost hypnotic intensity. In <em>A Summer's Day</em>, an old widow remembers the day, many years before, when her husband went out to sea in a terrible storm.</p><br/><p>In a series of continuous but chronologically distinct scenes, <em>Dream of Autumn</em> shows a man unexpectedly meeting an old friend: she will become his second wife, and cause him to fall out with his family.</p><br/><p>In <em>Winter</em> a fascinating but mercurial woman tries to seduce a businessman, but once he has given up his family and career, he realises may have mistaken her intentions.</p>

"Includes Mother and Child, Sleep My Baby Sleep, Afternoon and Death Variations Mother and Child is the intense journey of two individuals trying to connect. Like strangers on a first date, mother and son stalk each other, confronted with a shared history they cannot ignore. In Sleep My Baby Sleep, three people are in a strange unnamed place; through visual and linguistic association they try to decipher their predicament. In Afternoon, characters come and go in a flat that is for sale; they will never understand each other; someone will always insist on one thing, while others will insist on something else. In Beautiful, the past disrupts the present when a man and his family go back to his childhood valley. Conflicts simmer when husband and wife punish each other by courting his best friend, while his daughter meets a local boy. Death Variations explores different aspects of the theme of death; death of love, death of relationship, death of happiness, and finally the death of a young person. As the characters in Fosse's plays search for meaning or even just familiarity in their ruptured lives, their struggles find an echo in the rhythms and repetitions of their speech."

"Includes the plays And We'll Never be Parted, The Son, Visits and Meanwhile the lights go down and everything becomes black. In And We'll Never be Parted, Jon Fosse exploits theatre's unique potential for ambiguity: as a woman anxiously waits for her husband, are we watching reality, fantasy, memory, or even a ghost story? The Son concerns an ageing and isolated couple, whose long-absent son has a score to settle with their meddlesome neighbour. In the oblique but psychologically penetrating Visits, a withdrawn teenager, apparently upset by the attentions of her mother's boyfriend, turns to her brother for help. The short play Meanwhile the lights go down and everything becomes black, exploring the dilemmas of an errant husband, his young lover and his family, displays Fosse's characteristic compression of theatrical time and space at its most concentrated."

<b>Includes the plays Suzannah, Living Secretly, The Dead Dogs, A Red Butterfly's Wings, Warm, Telemakos and Sleep</b> In their different ways, these plays are existential suspense stories, centred around a common concept of time. The past is recreated through present moments, the future hinted at through shared memories, yet experienced from different perspectives. Fosse's drama explores life lived in unexpected ways, with a sense of otherness pervading the present and colouring the characters' relationships. The whole life of Suzannah Ibsen unfolds as she waits for her playwriting husband to come home. In Sleep, one day captures the lives of a young woman and a young man as they grow into middle-age and old age. Living Secretly asks questions about how to live with and open up to one's actions through sequences of time. In The Dead Dogs, lives are shockingly disrupted by an event that changes the directions of their future. Warm's characters move back and forth through time to capture past images and actions, in an effort to make sense of the present. Telemakos reinvents an old classic from a contemporary point of view. Fosse's damatic voice is full of poetic intensity, yet wryly ironic, and with a sense of the comedy of the human condition. Includes the plays Suzannah, Living Secretly, The Dead Dogs, Telemakos, Sleep and A Red Butterfly s Wings.

"Includes the plays Someone is Going to Come, The Guitar Man, The Name and The Child In Someone is Going to Come the two of them want to be together, just the two of them, so they leave the city and buy a remote house by the sea. But is it possible to do what they want to do? Won't somebody come? Surely someone will come. The Guitar Man is a poignant monologue in which a busker sings songs to an audience that is always on the move, always passing him by. The Name (winner of the Ibsen Prize in Norway) tells the story of an estranged family forced to live under one roof. When a pregnant girl and the father of the child have nowhere to live, they move into her parents' house. But the parents have never met the father-to-be, and don't yet know about the pregnancy. In The Child a man and a woman find each other in a bus stop on a rainy night. They hold each other close. They rent an old house out of town. The woman becomes pregnant. But the child is too small to survive. In these four varied plays Jon Fosse's unique linguistic style, at once poetic and naturalistic, magnifies the love and pain of ordinary people seeking to live their lives."

The New York Times Book Review [Bok / Inbunden]