Engelska

<b>From the bestselling author of <i>Mayflies</i> and <i>Caledonian Road</i>, a heart-enriching celebration of what makes us great: our friends.</b><br/><br/>If we are lucky, in our lives, our friendships will be rich and varied. They will be shared with those with two legs, with four legs, with whiskers or clean faces; they will come dressed in the simplicity of childhood or the professional attire of adult life; some will span decades, and some will be only fleeting. But the thing they will all have in common is that life is not only unimaginable - but unimagined - without them.<br/><br/>In these gorgeous personal reflections, Andrew O'Hagan explores friendship through music and poetry, memory and history, illuminating the many ways and reasons that people come together, and how our lives are all the better because we do.

Loving Others, Othering Love is a multi-modal lyric essay that investigates the interdependence of love and racism. It is a text that mines the multitude of ways that each requires the other in efforts to normalize or mask white privilege. Here, Lee marshals her analyses out of such material as Swedish newspaper reporting on racist hate crimes, Mary Shelley's Frankenstein, Princess Bari, Ovid, and the manifesto of mass shooter Elliot Rodger. Startling in its elegant incisions into the literary, the popular, the public, and the mythological, Loving Others, Othering Love enacts a critical poetics of assemblage in order to reveal the racist duplicity of love. Mara Lee is one of Sweden's most prominent contemporary writers, as well as a translator and scholar. She is the author of several novels and volumes of poetry, including the internationally recognized Ladies from 2007 and award ­winning Love and Hate from 2018. Lee's work mobilizes the paradoxes and confluences that emerge when the physical and linguistic realities of sexuality, gender, and race manifest themselves against the backdrop of Swedish welfare state whiteness, its quotidian power and purported racelessness. She is professor of art, art theory, and art history at Konstfack University of Arts, Crafts and Design, and guest professor at the Royal Institute of Art in Stockholm.

<b>Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith</b><br/><br/>Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.<br/><br/>Today, George Orwell is perhaps most famous for his iconic novels - <i>Nineteen Eighty-Four</i> and <i>Animal Farm</i> - but in his own time it was his remarkable nonfiction writing which drew most attention. Kind-hearted, intelligent, often funny, occasionally indignant, always insightful: his essays are some of the best ever written. Among others, this selection includes 'Shooting an Elephant', 'Such, Such Were the Joys' and 'Some Thoughts on the Common Toad'.

<b>AVAILABLE TO PRE-ORDER NOW<br/><br/>'This book is a jailbreak and a miracle' NAOMI KLEIN<br/><br/>'<i>We Are Not Numbers </i>is not just a book - it's my life, their life, and our shared story . . . This is Gaza as it truly is, written by those who live it every day' MOTAZ AZIZA<br/><br/>'A rebellion against the singular story. An insightful, multifaceted glimpse into the besieged Gaza Strip, where millions of people continue to confront a genocide waged by an Israeli regime' MOHAMMED EL-KURD<br/><br/>'A victory for the human spirit in the face of some of history's darkest forces' MATT KENNARD<br/><br/>'Powerful, humane and heroic . . . the voices of Palestinians soar. This is the most important collection of writing published today. It's a book the world must know' JENNI FAGAN</b><br/><br/>Following the 2014 Gaza War and decades of oppression and resistance, storytelling platform We Are Not Numbers (WANN) was founded to give a voice to the youth of Gaza. Since then, young Palestinians, mostly living in the besieged Gaza Strip, have used the platform to chronicle the human impact of occupation and blockade. In doing so, they have passionately fought to be recognised not as numbers but as human beings with lives, hopes, and dreams.<br/><br/>Ten years on, this collection brings together the most impactful essay contributions of the last decade from emerging Palestinian writers, offering a sobering, tender, inspiring, and humanising view of Palestine through the eyes of its next generation of leaders. In an epilogue covering the most recent war in Gaza, the collection's editors Ahmed Alnaouq and Pam Bailey reflect on the personal tragedies they have faced - including the deaths of 21 of Ahmed's family members in a single bomb blast - as well as those writers able to take WANN's work forward and those no longer alive to do so.<br/><br/>In a rallying cry to onlookers around the world, <i>We Are Not Numbers</i> offers unparalleled insight into the real lives of the people of Gaza and imagines where we might go from here.

<b>An extraordinary work from the author of <i>The Year of Magical Thinking</i> and <i>Blue Nights</i></b> <br/><br/>In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had ?a rough few years? She described the sessions in a journal she created for her husband, John Gregory Dunne. <br/><br/>For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. <br/><br/>There were discussions about her own childhood misunderstandings and lack of communication with her mother and father, her early tendency to anticipate catastrophe and the question of legacy, or, as she put it? what it's been worth? The analysis would continue for more than a decade.<br/><br/>Didion's journal was crafted with the singular intelligence, precision, and elegance that characterize all of her writing. It is an unprecedently intimate account that reveals sides of her that were unknown, but the voice is unmistakably hers questioning, courageous, and clear in the face of a wrenchingly painful journey.

<i><b>A hundred and fifty years of conflict. What does that do to a person's soul, to the spirit of a nation? To both the occupied and the occupier?</b></i><br/><br/>International Booker Prize winning Israeli novelist David Grossman has spent decades campaigning for peace in Israel and Palestine. But after October 7th 2023, a day marking the biggest loss of Jewish life in this century, he retreated inwards to ask himself difficult and necessary questions about his beloved nation:<br/><br/>How could this massacre have happened?<br/>How could the Netanyahu government, tangled in its web of scandals, fail to protect its citizens?<br/>And did October 7 and the war that followed take with it their last hope of a two-state solution?<br/><br/>In eleven essays David Grossman traces the years leading up to that day and the ensuing war through a string of failures by a morally bankrupt party clinging to power. He documents the struggle being fought on both sides between those committed to conflict, and the many who simply want to live in peace.<br/><br/>Ultimately, Grossman arrives at the most important question of all: Will there ever be a lasting peace in the region?