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<b>The landmark international bestseller-The Beatles' own story, in their own words-reissued on the 25th anniversary of its first publication.</b><br/><br/>From their years growing up in Liverpool through their ride to fame to their ultimate breakup, here's the inside story. Interwoven with The Beatles' own memories are the recollections of such associates as road manager Neil Aspinall, producer George Martin, and spokesman Derek Taylor. <i>The Beatles Anthology</i> is a once-in-a-lifetime volume: warm, frank, funny, poignant, and bold-just like the music that's been a part of so many of our lives.<br/><br/><i>The Beatles Anthology</i> is, for the first time, the story of The Beatles by The Beatles. Created with the full cooperation of Paul, George, Ringo, and Yoko Ono Lennon, it also includes the words of John, painstakingly compiled from sources worldwide.<br/><br/><i>The Beatles Anthology</i> is, in effect, The Beatles autobiography.<br/><br/><i>The Beatles Anthology</i> features over 1300 images, most previously unpublished. Paul, George, Ringo, and Yoko Ono Lennon all opened their own archives just for this project, as did Apple, EMI, and others long associated with The Beatles, allowing the unprecedented release of photographs, documents, and other memorabilia from their homes and offices. The result is an extraordinary wealth of visual material brimming on each and every page.

<i>Zombies want brains. Vampires want blood. Cannibals want human flesh. </i>All<i> monsters need feeding.</i><br/><br/>Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of <i>The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets</i> and countless other horror films and TV series over the last few years, loving the genre still prompts the question: <i>what's wrong with you?</i> Implying, of course, that there is something <i>not quite right</i> about the people who make and consume it. In <i>Feeding the Monster</i>, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

In this fascinating collection, Jenny Erpenbeck meditates on the disappearance and impermanence of things. Whether recalling the demolition of familiar places, the loss of a friendship, or a change in social attitudes, Erpenbeck's sharp intelligence, eye for telling detail, and her nuanced perspective on her country's history and her own writing lifeimbue these short pieces with lasting power.

In 1920, Virginia and Leonard Woolf's Hogarth Press published Maxim Gorky's <em>Reminiscences of Tolstoy</em> and it was recognized almost immediately as one of the few masterpieces of modern biography. 'It is one of the most remarkable biographical pieces ever written,' writes Leonard Woolf in his autobiography. 'It makes one hear, see, feel Tolstoy and his character as if one were sitting in the same room - his greatness and his littleness, his entrancing and infuriating complexity, his titanic and poetic personality, his superb humour.' In 1934, the book was expanded to include Gorky's memoirs of two other great Russian literary figures, Anton Chekhov and Leonid Andreev. Almost a hundred years later, <em>Reminiscences of Tolstoy, Chekhov and Andreev</em> is reissued in a superb new translation by Bryan Karetnyk.

<i>It is spring, moonless night in the small town, starless and bible-black, the cobblestreets silent...</i><br/><br/>In the Welsh seaside town of Llaggerub, night is moving in the streets. Its inhabitants are lost in the land of dreams: old Captain Cat catches up with his drowned shipmates, Mog Edwards the draper is consumed by mad love for Miss Price the dressmaker, and Mrs Ogmore-Pritchard whips the ghosts of her two late husbands into shape. As the sun rises, the 'dismays and rainbows' of each character are played out within the cycle of one day, intertwining voices and lives, dreams and reality. By turns tender, hilarious and beautifully lyrical, Dylan Thomas's 'play for voices' is his most beloved work and a landmark of Welsh literature.

<b>'Fabulous... What a ghost story! A ripping read.' IAIN SINCLAIR, author of <i>London Orbital</i></b><br/><br/><b>'Vividly celebrates Bowie as not just a chameleonic visionary, but a nomadic one, a creature informed by place and circumstance.' STUART MACONIE</b><br/><b><br/><i>'Bowieland </i>will make you want to take your very own pilgrimage, accompanied by the great man's songs.' ALEXANDER LARMAN, <i>THE OBSERVER</i></b><br/><b><br/>'A sublime, time-travelling quest.' TIFFANY MURRAY, author of <i>My Family and Other Rock Stars</i></b><br/><b><br/>'A joyful and fascinating journey which anchors Bowie's genius in the pavements.' KEVIN LOADER, producer of <i>The Buddha of Suburbia<br/><br/></i></b><b>BOWIE IS STILL OUT THERE...</b><br/><br/>Following open heart surgery, Peter Carpenter was given one instruction - walk if you want to stay alive. So, when his hero died in 2016, he knew what he had to do. The figure who was to so many a companion and guide had left no single focal point for homage. To reconnect with him, Carpenter would take a walk into the past, to the places where David Jones became something more: David Bowie.<br/><br/>Leaving behind well-known shrines to Bowie, he journeyed through South London edgelands to obscurer haunts. Carpenter's quest, a series of happy accidents and chance meetings, took him to Bickley as well as Berlin and Brixton, to Eel Pie Island as well as Heddon Street and Beckenham.<br/><br/>Carpenter's perambulations echo Bowie's own wandering creative spirit. They reveal multiple influences, both conscious and unconscious, in Bowie's creative development. Ultimately, Carpenter reaches a fresh understanding of where Bowie sits in the culture, not as an outlier, but as part of a tradition, informed by those artists, poets and musicians who passed on their wisdom to him. A celebration of the revelatory powers of walking, and by no means just for Bowie obsessives, BOWIELAND opens up our geography in ways rarely seen or so well understood.