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Red Rising (deluxe Slipcase Edition) [Bok / Inbunden]

A Scar In The Bone (deluxe Limited Edition) [Bok / Inbunden]

For a limited time only. From the New York Times bestselling author of Blood of Hercules and TikTok sensation, Jasmine Mas's original dark and twisted Cruel Shifterverse trilogy, now in deluxe paperback with gorgeous stenciled edges and foil detail. <br/><br/>These men think they own me.<br/><br/>After growing up with nothing, I've finally found my path to freedom: I'm a shifter, a warrior who transforms into a monster.<br/><br/>All I have to do is survive bootcamp.<br/><br/>I didn't count on my three 6'5 roommates-slash-trainers. Covered in tattoos, jeweled, and horned, these are like no men I've ever dealt with before. <br/><br/>They don't think I belong. They don't think I can fight. They don't think I'm strong enough for war. They don't think I can shift. I'm about to prove them wrong. Jax, Ascher, and Cobra are going to be devastated when they discover my truth...just wait until they see my shifted form. <br/><br/>Don't miss the next book in the Cruel Shifterverse, Psycho Fae, coming January 2026! <br/><br/>Perfect for readers who love: <br/><br/>Morally Gray Heroes <br/><br/>Strong Female Characters <br/><br/>Extreme Enemies to Lovers <br/><br/>Super steamy heat level

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a fully continuous and standalone story, this paperback of the epic tale of The Children of Hurin will reunite fans of The Hobbit and The Lord of the Rings with Elves, dragons, Dwarves and Orcs, and the rich landscape and characters unique to Tolkien. <br/><br/>It is a legendary time long before The Lord of the Rings, and Morgoth, the first Dark Lord, dwells in the vast fortress of Angband in the North; and within the shadow of the fear of Angband, and the war waged by Morgoth against the Elves, the fates of Turin and his sister Nienor will be tragically entwined. <br/><br/>Their brief and passionate lives are dominated by the elemental hatred that Morgoth bears them as the children of Hurin, the man who dared to defy him to his face. Against them Morgoth sends his most formidable servant, Glaurung, a powerful spirit in the form of a huge wingless dragon of fire, in an attempt to fulfil the curse of Morgoth, and destroy the children of Hurin. <br/><br/>Begun by J.R.R. Tolkien at the end of the First World War, The Children of Hurin became the dominant story in his later work on Middle-earth. But he could not bring it to a final and finished form. In this book Christopher Tolkien has constructed, after long study of the manuscripts, a coherent narrative without any editorial invention.

In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo&apos;s desires and designs. Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo&apos;s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon&apos;s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Lúthien Christopher Tolkien has used the same &apos;history in sequence&apos; mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was &apos;the first real story of this imaginary world&apos; and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three &apos;Great Tales&apos; of the Elder Days.

The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father&apos;s own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

<strong>The forerunner to <em>The Lord of the Rings</em>, <em>The Silmarillion</em> tells the earlier history of Middle-earth, recounting the events of the First and Second Ages, and introducing some of the key characters, such as Galadriel, Elrond, Elendil and the Dark Lord, Sauron.</strong> <br/><br/><em>The Silmarillion</em> is an account of the Elder Days, of the First Age of Tolkien's world. It is the ancient drama to which the characters in The Lord of the Rings look back, and in whose events some of them such as Elrond and Galadriel took part. The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-Earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. <br/><br/>Included in the book are several shorter works. The Ainulindale is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabeth recounts the downfall of the great island kingdom of Numenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as narrated in The Lord of the Rings. <br/><br/>This pivotal work features the revised, corrected text and includes, by way of an introduction, a fascinating letter written by Tolkien in 1951 in which he gives a full explanation of how he conceived the early Ages of Middle-earth.