Engelska

A boxed set of the first three books in the Wheel of Time series - one of the most influential and popular fantasy epics ever published.

<strong>The searing follow-up to 2018's most celebrated fantasy debut - THE POPPY WAR.</strong> <br/><br/>Rin is on the run... <br/><br/>Haunted by the atrocity she committed to save her people, addicted to opium, and driven by the murderous commands of Phoenix, the vengeful god who has blessed Rin with her fearsome power. <br/><br/>Rin's only reason for living is to get revenge on the traitorous Empress who sold her homeland, Nikan, to her enemies. <br/><br/>With no other options, Rin joins forces with the powerful Dragon Warlord, who has a plan to conquer Nikan, unseat the Empress, and create a new Republic. She throws herself into his war. <br/><br/>After all, making war is all she knows how to do...

<b>A slow burn, enemies-to-lovers romantasy featuring a scholarly healer and a gentleman assassin, set in an exquisite fantasy world, perfect for fans of <i>The Love Hypothesis</i> and <i>Emily Wilde's Encyclopaedia of Faeries.</i></b><br/><br/>Osric Mordaunt, member of the Fyren Order of assassins, is in dire need of healing. Naturally - such is the grim comedy of fate - the only healer who can help is Aurienne Fairhrim, preeminent scientist, bastion of moral good, and member of an enemy Order.<br/><br/>Aurienne is desperate for funding to heal the sick - so desperate that, when Osric bribes her to help him, she accepts, even if she detests him and everything he stands for.<br/><br/>A forced collaboration ensues: the brilliant Woman in STEM is coerced into working with the PhD in Murders, much to Aurienne's disgust. As Osric and Aurienne work together to heal his illness and investigate the mysterious reoccurrence of a deadly pox, they find themselves ardently denying their attraction, which only fuels the heat between them.<br/><br/><b>Tropes include:</b><br/>Enemies-to-lovers<br/>High interaction slow burn<br/>Hypercompetent idiots<br/>He falls first and harder<br/>Slaughter as a love language