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<b>'Fabulous... What a ghost story! A ripping read.' IAIN SINCLAIR, author of <i>London Orbital</i></b><br/><br/><b>'Vividly celebrates Bowie as not just a chameleonic visionary, but a nomadic one, a creature informed by place and circumstance.' STUART MACONIE</b><br/><b><br/><i>'Bowieland </i>will make you want to take your very own pilgrimage, accompanied by the great man's songs.' ALEXANDER LARMAN, <i>THE OBSERVER</i></b><br/><b><br/>'A sublime, time-travelling quest.' TIFFANY MURRAY, author of <i>My Family and Other Rock Stars</i></b><br/><b><br/>'A joyful and fascinating journey which anchors Bowie's genius in the pavements.' KEVIN LOADER, producer of <i>The Buddha of Suburbia<br/><br/></i></b><b>BOWIE IS STILL OUT THERE...</b><br/><br/>Following open heart surgery, Peter Carpenter was given one instruction - walk if you want to stay alive. So, when his hero died in 2016, he knew what he had to do. The figure who was to so many a companion and guide had left no single focal point for homage. To reconnect with him, Carpenter would take a walk into the past, to the places where David Jones became something more: David Bowie.<br/><br/>Leaving behind well-known shrines to Bowie, he journeyed through South London edgelands to obscurer haunts. Carpenter's quest, a series of happy accidents and chance meetings, took him to Bickley as well as Berlin and Brixton, to Eel Pie Island as well as Heddon Street and Beckenham.<br/><br/>Carpenter's perambulations echo Bowie's own wandering creative spirit. They reveal multiple influences, both conscious and unconscious, in Bowie's creative development. Ultimately, Carpenter reaches a fresh understanding of where Bowie sits in the culture, not as an outlier, but as part of a tradition, informed by those artists, poets and musicians who passed on their wisdom to him. A celebration of the revelatory powers of walking, and by no means just for Bowie obsessives, BOWIELAND opens up our geography in ways rarely seen or so well understood.

In Absolutely on Music, internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami's ten-day visit to the banks of Lake Geneva to observe Ozawa's retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros.

Songs that sell the most copies become hits, but some of those hits become something more - iconic recordings that not only inspire a generation but also alter the direction of music. In this follow-up to his classic <i>Anatomy of a Song</i>, writer and music historian Marc Myers tells the stories behind fifty-five more rock, pop, R&B, country and reggae hits through intimate interviews with the artists who wrote and recorded them.<br/><br/>Part oral history, part musical analysis, <i>Anatomy of 55 Hit Songs</i> ranges from Creedence Clearwater Revival's 'Bad Moon Rising' to Dionne Warwick's 'Walk On By', The Beach Boys' 'Good Vibrations' and Black Sabbath's 'Paranoid'. Bernie Taupin recalls how he wrote the lyrics to Elton John's 'Rocket Man'; Joan Jett remembers channeling her rage against how she had been unfairly labeled and treated into 'Bad Reputation' and Ozzy Osbourne, Elvis Costello, Bob Weir, Sheryl Crow, Alice Cooper, Roberta Flack, John Mellencamp, Keith Richards, Carly Simon and many others reveal the emotions and technique behind their major works.

Guns N' Roses: Band That Time Forgot (revised) [Bok / Pocket]

<b>'Hip Hip is not History, it's Our story. Brilliant book'</b><br/><b>Craig Charles</b><br/><br/> In this landmark book, <i>Hip-Hop Is History</i>, Grammy- and Academy Award-winning filmmaker and <i>NYT</i> bestselling author, Questlove, skilfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits-and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopaedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.<br/><br/> Hip-hop is history, and also <i>his </i>history.

Thanks to a thrown beer bottle and a fan letter to a P.O. box, Melissa Auf der Maur's first band scored an opening slot for the Smashing Pumpkins in her bohemian home town, Montreal. Sensing Melissa's talent, Billy Corgan recommended her to Courtney Love. Whisked from her local scene, Melissa joined Hole just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with the just-widowed Courtney Love at the centre of it all.<br/><br/>That was only the beginning of Melissa's journey through alternative rock, a trip she undertook alongside 90s luminaries including Rufus Wainwright, Michael Stipe and her former boyfriend, Dave Grohl. <i>Even the Good Girls Will Cry</i> is a vivid dispatch from the last analogue decade, capturing that bygone era in all its messy, angsty glory.

Irish Ukulele Songbook - 30 Favorites To Strum & Sing [Bok / Pocket]