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<b>'Fabulous... What a ghost story! A ripping read.' IAIN SINCLAIR, author of <i>London Orbital</i></b><br/><br/><b>'Vividly celebrates Bowie as not just a chameleonic visionary, but a nomadic one, a creature informed by place and circumstance.' STUART MACONIE</b><br/><b><br/><i>'Bowieland </i>will make you want to take your very own pilgrimage, accompanied by the great man's songs.' ALEXANDER LARMAN, <i>THE OBSERVER</i></b><br/><b><br/>'A sublime, time-travelling quest.' TIFFANY MURRAY, author of <i>My Family and Other Rock Stars</i></b><br/><b><br/>'A joyful and fascinating journey which anchors Bowie's genius in the pavements.' KEVIN LOADER, producer of <i>The Buddha of Suburbia<br/><br/></i></b><b>BOWIE IS STILL OUT THERE...</b><br/><br/>Following open heart surgery, Peter Carpenter was given one instruction - walk if you want to stay alive. So, when his hero died in 2016, he knew what he had to do. The figure who was to so many a companion and guide had left no single focal point for homage. To reconnect with him, Carpenter would take a walk into the past, to the places where David Jones became something more: David Bowie.<br/><br/>Leaving behind well-known shrines to Bowie, he journeyed through South London edgelands to obscurer haunts. Carpenter's quest, a series of happy accidents and chance meetings, took him to Bickley as well as Berlin and Brixton, to Eel Pie Island as well as Heddon Street and Beckenham.<br/><br/>Carpenter's perambulations echo Bowie's own wandering creative spirit. They reveal multiple influences, both conscious and unconscious, in Bowie's creative development. Ultimately, Carpenter reaches a fresh understanding of where Bowie sits in the culture, not as an outlier, but as part of a tradition, informed by those artists, poets and musicians who passed on their wisdom to him. A celebration of the revelatory powers of walking, and by no means just for Bowie obsessives, BOWIELAND opens up our geography in ways rarely seen or so well understood.

A Rough Trade Book of the Year <br/><br/> <strong>The much-anticipated first book from Black Sabbath bassist Geezer Butler</strong> <br/><br/>With over 70 million records sold, heavy metal pioneers Black Sabbath are one of the most influential bands of all time. From the very beginning, Geezer Butler was at the heart of their success. He named the group, provided the bass behind their distinctive sound and wrote the lyrics that resonated so powerfully with fans around the world. <br/><br/>At long last, Geezer is ready to tell his side of the Sabbath story, from early days as a scrappy blues quartet through to the many lineup changes, the record-breaking tours and the international hell-raising with Ozzy Osbourne, Tony Iommi and Bill Ward. <br/><br/>Featuring Geezer's candid reflections on his working-class childhood in Luftwaffe-battered Birmingham, his almost-life as an accountant and his fascination with horror, religion and the occult,<em> Into the Void </em>reveals the softer side of the heavy metal legend, while holding nothing back. <br/><br/>Like Geezer's bass lines and the story of Black Sabbath themselves,<em> Into the Void </em>is original, dramatic and one hell of a ride.

The Metal God himself, Rob Halford - lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess - delivers a bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.<b></b><br/><br/>Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have always been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography.<br/><br/>Fans and readers loved Halford's frank and open narrative, as well as his terrific insight and sense of humour. Now, in Biblical, Halford runs his expert eye over all facets of the hard rock history and the heavy metal world. Biblical is a lively encyclopaedia in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns.<br/><br/>In Halford's relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.

A music-obsessed retrospective, beginning with his childhood epiphany of rock 'n' roll in the early 1960s into an infatuation with the subversive world of 1970s punk and no wave blasting forth from New York City - where he eventually runs off to join a band in 1978. By 1981 Moore would form the legendary and notorious experimental rock group Sonic Youth, who proceeded to record and tour relentlessly for almost 30 years, always progressing, always exploring. Along the way we meet a constellation of artists and musicians who colluded and collided with Sonic Youth including Velvet Underground, Stooges, Patti Smith, Television, Sex Pistols, Clash, Nirvana, Hole, Beastie Boys, Neil Young and a cavalcade of other musical visionaries, as well as figures from the art world - Jean Michel Basquiat, Keith Haring and Gerhard Richter. Simply put, Thurston Moore and Sonic Youth changed the sound of modern alternative rock music and opened the minds of a generation of artists to new possibilities within the form. This is essential reading.

<strong>THE ULTIMATE CELEBRATION OF THE MIDWEST PRINCESS</strong> <br/><br/>From hometown Missouri girl to the Midwest Princess and global FEMININOMENON we stan today, Chappell Roan is on an extraordinary journey. <br/><br/>Dive into the stories, fun facts and defining moments that shot this shining star into orbit. Packed with dazzling inspiration and empowering wisdom, this book is your guide to living boldly, flourishing fearlessly and thriving no matter what life throws your way. <br/><br/><strong>Whether you're a long-time fan or just discovering Chappell's magic, celebrating her punk attitude, iconic fashion and of course, her musical genius, with this essential companion</strong>.

<div>In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as <i>Vogue, Esquire</i> and <i>Life</i>, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously.</div> <div><br/> </div> <div> Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.</div>

Suzuki Solos For Young Cellists 2 [Bok / Häftad]