2013

Bachs Juloratorium uruppfördes julen 1734 i domkyrkan i Leipzig. Oratoriet är uppdelat i sex kantater som handlar om julevangeliets olika berättelser, och som ursprungligen framfördes på julens sex viktigaste dagar.<br/>Del 1: Jesu födelse, Juldagen, 25 december.<br/>Del 2: Herdarna får bud, Annandag jul, 26 december<br/>Del 3: Herdarna vid krubban, 27 december.<br/>Del 4: Jesu omskärelse och dop, Nyårsdagen, 1 januari.<br/>Del 5: Kung Herodes reaktion, första söndagen efter Nyår.<br/>Del 6: Vise männens ankomst, Trettondag jul, 6 januari.<br/><br/>Hungarian Radio Choir, Failoni Chamber Orchestra, Budapest. Geza Oberfrank, conductor.<br/>Soloists: Ingrid Kertesi, soprano, Judit Nemeth, alto, Jozsef Mukk, tenor, Janos Toth, bass.<br/><br/>"I enjoyed the freshness of approach and the spirited music-making which characterizes the set as a whole."<br/>(Gramophone)

Vi tror att alla, både barn och vuxna, tycker om klassisk musik. Men kanske behöver man lite hjälp att hitta det man gillar. Därför har vi gjort denna 3CD-box med klassisk musik för hela dagen! Musik att springa, dansa och pyssla till. Musik som mjukt vaggar till ro. Musik som inspirerar och utvecklar. Helt enkelt stor musik - för små öron!

Grieg: Olav Trygvason [CD]

Klarinettkonsert och andra verk för klarinett av Wolfgang Amadeus Mozart med Martin Fröst tillsammans med Tyska Kammarfilharmonin med flera.

Digipack.

Royal Swedish Orchestra (Kungliga Hovkapellet) / Lawrence Renes<br/><br/>Henk de Vlieger's orchestral arrangement of Richard Wagner's Ring Cycle boils down this monumental music drama in four parts to a symphonic poem with a duration of a fifteenth of the original score. Unlike certain other arrangements, de Vlieger's follows the chronology of the operas so that the irrevocable process towards the twilight of the gods is clearly delineated. His method has been to select and link together the most important orchestral passages in the score, already closely interconnected as a result of Wagner's leitmotif technique The excerpts have in most cases been taken over without alterations; only occasionally has an essential vocal line been replaced by wind instruments. Quite possibly, Wagner himself would have objected to the undertaking, but in fact one of his own strongly held convictions was that the text - or rather its content - should be continuously present, by means of the hidden-away orchestra exploring the dramatic background to the action presented on stage. With this orchestral arangement the turn has thus come for the Royal Swedish Orchestra to take its place on centre stage, in music which has been part of its repertoire for close to 120 years at the Royal Swedish Opera in Stockholm. (Some of that impressive history is reflected in the CD booklet through images from Ring productions past and present.) The conductor Lawrence Renes, recently named music director at the Royal Swedish Opera, has admired de Vlieger's arrangement since it was premièred, in 1991, by his own mentor, the conductor Edo de Waart. The arrangement has been recorded previously, but never before by a bona fide opera orchestra. The result is indeed an adventure, as well as a sonic spectacular, and an excellent calling card for a fine orchestra all too often relegated to the shadows.<br/><br/>"Hovkapellet stryker sångpartierna och rensar bort 86 procent av musiken. Så här har ni aldrig hört Wagners operor förr." <br/>/CarlHåkan Larsén (Sydsvenskan) <br/><br/><br/>.

The Magic of Spring [Digipack / CD]