2021

Lindsey Buckingham is his first solo release since 2011's Seeds We Sow. As with the seven studio and three live albums he has released as a solo artist beginning with 1981's Law and Order, the new project showcases Buckingham's instinct for melody and his singular fingerpicking guitar style, reaffirming his status as one of the most inventive and electrifying musicians of his generation. Written, produced and recorded by Buckingham at his home studio in Los Angeles, CA<br/><br/>The new album is a welcome display of Buckingham's instantly recognizable guitar work and vocal layering, particularly on songs such as "Power Down," "Scream" and "Swan Song." Elsewhere, Buckingham pays homage to '60s folk group the Pozo-Seco Singers' hit single "Time," a song he's admired since he was as a teenager and has long intended to cover. "I wanted to make a pop album, but I also wanted to make stops along the way with songs that resemble art more than pop," he says. "As you age, hopefully you keep getting a little more grounded in the craft of what you're doing. For me, getting older has probably helped to reinforce the innocence and the idealism that hopefully was always there."<br/><br/>Over the last four decades, Buckingham has developed a radical sense of experimentation and an unrivaled savvy as a producer. He first honed these skills as a singer, guitarist, songwriter, producer and the musical visionary of Fleetwood Mac, for which he wrote and produced several Top Ten hits, including "Go Your Own Way," "Tusk" and "Big Love." Under Buckingham's direction, Fleetwood Mac became one of the best-selling and most beloved rock groups of all time. As a solo artist, Buckingham often plays nearly every instrument himself; his complex arrangements and inventive production choices make his solo work thrilling to experience. Earlier this year, he appeared on "Caution," the newest single from the Killers. He remains a highly sought-after collaborator, a maverick and a visionary.

Hyllade Bror Gunnar Janssons senaste skivsläpp är hans tyngsta och hårdaste hittills. Men, paradoxalt nog, också det mest smäktande vackra. Likt en svit rör sig albumet från känslosamma stråkpartier till tunga riff, och ibland uppstår tillfällen då allt verkar vilja spricka sönder. <br/>Med sitt nya album Faceless Evil, Nameless Fear berättar Bror Gunnar historier om bestialiska mord, sjukdom och konsekvenserna av korrupta polisers handlingar (bland andra finns Kapten Klänning och George Floyd med). Men också om stark och oförstörd kärlek. Han pendlar mellan allas vår verklighet och sitt eget mörka universum. Musiken, som är mindre blues än tidigare, andas post-grunge, stoner och post-blues på ett sätt som för tankarna till White Stripes, Kyuss och Jimi Hendrix.

Basement Noise är Sators sjunde album! Skivan släpptes ursprungligen 2006 på bandets egna etikett Planet Of Noise! På skivan hittar man några "klassiska" Sator Hits, som "You Ain&#180;t Nothing To Me" och "This Ain&#180;t The Way Home" men också "Goodbye Joey" som kan vara den sorgligaste låten bandet spelat in. Kent skrev den som en hyllning till Joey Ramone när han tragiskt gick bort. Innan låten spelades in hann även Johnny och Dee Dee också gå bort.

ABBA: Little things [CD Singel]

Clooney Rosemary: Very best of... 1949-61 [Digipack / 3 CD]

Partridge Andy: My failed songwriting career 2 [Digipack / CD]

Page Patti: Greatest hits 1950-62 [Digipack / 2 CD]