Rolling Stones

16 LPs Encompassing All 1963-1969 Mono Recordings from "The World's Greatest Rock and Roll Band" Available In Coloured Vinyl Set For First Time Ever.<br/> <br/>ABKCO Records is set to release The Rolling Stones in Mono (Limited Colour Edition) vinyl box set in early 2023. Originally issued on black vinyl, CD and digital in 2016, the updated version contains the entirety of the Rolling Stones' 1960s recorded output (186 tracks spread across 16 180-gram LPs), now presented in a plethora of vinyl colours - 14 total - chosen to match the original cover art of classic albums such as Aftermath and Beggars Banquet. <br/> <br/>Spanning the era between 1963 and 1969, The Rolling Stones in Mono (Limited Colour Edition) covers the formative years of the legendary London-based quintet, who were dubbed and acknowledged as "the world's greatest rock and roll band," as they were churning out era-defining hits such as "(I Can't Get No) Satisfaction," "Paint It, Black," "Ruby Tuesday" and "Honky Tonk Women." Packaged as 15 separate albums, The Rolling Stones In Mono contains key releases from the band's U.S. and U.K. discographies, organized to include every track from the era while minimizing catalog redundancies. Stray Cats, a 2-LP compilation exclusive within the vinyl box set, ties up all loose ends, incorporating every 1960s Rolling Stones track that isn't found on the other 14 albums, for a total of 24 tracks. It includes two versions of the aforementioned "Poison Ivy," Barrett Strong's 1959 hit "Money," as well as "Fortune Teller." Other rarities include "Con Le Mie Lacrime," a version of "As Tears Go By" sung in Italian, "Stoned" (the instrumental b-side of "I Wanna Be Your Man"), and the 1965 outtake of Otis Redding's "I've Been Loving You Too Long," now freed of the fake applause to disguise its studio origin when the track appeared on the 1966 LP Got Live If You Want It. <br/> <br/>During this period, most rock and pop recordings were mixed in mono, with the stereo version often an afterthought, and only dealt with following the completion of the original (mono) version of a given track. In short, mono reigned and this was, indeed, the case for the Rolling Stones at that time. While typical playback systems of the '60s were less than sophisticated, the original mono recordings, especially as heard through quality components, were of the highest audio quality and had a powerful and very direct impact. "You felt you were in the room . . . listening to exactly what went down in the studio, no frills, no nothing," Keith Richards wrote in his autobiography, Life. "Rock was a completely new musical form," Mick Jagger explained in a 1995 Rolling Stone interview. "It hadn't been around for ten years when we started doing it . . . You felt like one of the chosen few, one of the only ones in the world who would get to play with this new toy. We had evangelical fervor." Late recording engineer Dave Hassinger explained how he mixed his '64-'66 works for the Stones in mono. "They always played together at the same time. They would run the parts down, work out the changes here and there, nail it down, then start recording."<br/> <br/>Rolling Stone senior editor David Fricke, in his 5,000-word essay that accompanies the set, writes, "The Rolling Stones in Mono is the full studio account of that first decade of history and mayhem, newly remastered with unprecedented fidelity and revelatory detail." His commentaries are included with the box set as part of a 4-colour deluxe 48-page lie-flat book that features numerous rare photos by renowned photographer Terry O'Neill. The 16 LPs are housed in the original full colour album jackets that fit along with the book into a one piece specially crafted box.<br/> <br/>The Rolling Stones in Mono (Limited Colour Edition) was mastered by GRAMMY® award-winning engineer Bob Ludwig at Gateway Mastering. For the project he utilized Direct Stream Digital (DSD) transfers from the original master recordings, with a sampling rate of 2,822,400. Lacquer cutting for vinyl was performed at Abbey Road Studios by Sean Magee. The Rolling Stones in Mono (Limited Colour Edition) project has been overseen by Teri Landi, ABKCO's GRAMMY® award-winning Chief Audio Engineer.<br/><br/>1) The Rolling Stones (UK, 1964) - Cobalt Blue vinyl<br/>2) 12 X 5 (1964) - Yellow vinyl<br/>3) The Rolling Stones No. 2 (UK, 1965) - Steel Blue vinyl<br/>4) The Rolling Stones Now! (1965) - Gold vinyl<br/>5) Out of Our Heads (US, 1965) - Sky Blue vinyl<br/>6) Out of Our Heads (UK, 1965) - Green vinyl<br/>7) December's Children (And Everybody's) (1965) - Silver vinyl<br/>8) Aftermath (UK, 1966) - Purple vinyl<br/>9) Aftermath (US, 1966) - Grey vinyl<br/>10) Between the Buttons (UK, 1967) - Azure Blue vinyl<br/>11) Flowers (1967) - Pink vinyl<br/>12) Their Satanic Majesties Request (1967) - White vinyl<br/>13) Beggars Banquet (1968) - Maroon vinyl<br/>14) Let It Bleed (1969) - Red vinyl<br/>15) Stray Cats (2-LP collection of single A & B sides plus E.P. tracks) - White vinyl

The limited-edition set includes reproductions of the first 18 7" vinyl singles and extended play records by "The World's Greatest Rock 'n' Roll Band," as originally released by Decca and London Records. The tracks are all remastered by 12-time Grammy Award-winning engineer Bob Ludwig. The set, complete with period-correct picture sleeve art, will also come with a 32-page book with extensive liner notes by Stones authority Nigel Williamson, as well as rare photos and ephemera plus a set of five photo cards and a poster, all housed in a hard-shell box. A companion second vinyl box set in the series, The Rolling Stones Singles 1966-1971, will be released next year. <br/> <br/>Before they were thought of as one of the rock era's quintessential album bands, the Rolling Stones began their recording career in 1963 with a slew of singles that captured the energy and excitement created by the classic lineup of Mick Jagger, Keith Richards, Brian Jones, Charlie Watts and Bill Wyman. Their version of Chuck Berry's "Come On" backed with a cover of Muddy Waters' "I Want To Be Loved" kicked it all off, and was quickly followed up with "I Wanna Be Your Man," a song written by John Lennon and Paul McCartney for the Stones to use, before being recorded by The Beatles themselves. London Records, their US label, quickly withdrew the single on "moral grounds" due to the illicit implications of the B-side "Stoned" (credited to Nanker Phelge - the songwriting pseudonym for the entire band). None of the songs from these first two singles appeared on any of their albums.<br/> <br/>The Rolling Stones Singles 1963-1966 follows the group's shift away from covers in favor of originals, due in large part to Jagger and Richards developing into one of the most accomplished powerhouse songwriting duos of their generation. Of the nine US Top 40 hits contained within the set, all but one are Jagger/Richards compositions. These include "(I Can't Get No) Satisfaction" and "Get Off Of My Cloud," which were number one hits on both sides of the Atlantic. This collection includes the US and UK versions of both these singles, which feature different sleeve art and B-sides. The sole Top 40 cover is "Time Is On My Side," (written by Jerry Ragovoy and notably recorded by Irma Thomas). The single in this collection is the lesser-known version which features an organ intro. Another rarity that never made it onto an album in any form is "Sad Day," the US B-side of the 1966 hit "19th Nervous Breakdown." <br/> <br/>Three extended-play (E.P.) 7" records are included in The Rolling Stones Singles 1963-1966, all of which were originally UK-only releases. These are The Rolling Stones (not to be confused with the album of the same name) and Five by Five (recorded at Chicago's famed Chess Studio at 2120 South Michigan Avenue), both released in 1964, as well as 1965's Got Live If You Want It! - the first of many live records by a band that to this very day is known as an explosive concert attraction.

4LP Black Vinyl house in Die Cut Slipcase with additional etching.<br/><br/>Live At The El Mocambo marks the first official appearance of the group's two famous secret concerts at the 300-capacity Toronto club in March 1977.<br/><br/>It features the Stones' full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Only four of the performances found their way onto the Love You Live album that followed in September 1977, which was dominated by tracks captured on the band's 1975 and '76 tours, with the full set having never been heard before.<br/><br/>As the Stones took to the stage of the "El Mo," a fixture of the Toronto music scene since the 1940s, punk and disco were both rearing into full view, supposedly ready to see off a band who had already been at the top of their game for 15 years. Over two nights, in an intimate space in one of their favourite cities, they were about to make that prognosis look foolish indeed.<br/><br/>The gigs became reality after the El Mocambo was identified as the potential home for a secret booking. A radio contest was organised in which the prize was tickets to see Canadian rock heroes April Wine, supported by an unknown band called the Cockroaches. Guess who they turned out to be...<br/><br/>On the nights, naturally, April Wine were themselves the opening act, and so it was that the Stones rolled back the years to the exhilarating club incarnation of their early years. Against all the odds, the band produced two nights of exhilarating music that they still talk about in Toronto, and in Rolling Stones legend, to this day.<br/><br/>It was a setlist for all seasons, from Muddy Waters' 'Mannish Boy' and Bo Diddley's 'Crackin' Up' to staples such as 'Let's Spend The Night Together' and 'Tumbling Dice,' and back to the blues with Big Maceo's 'Worried Life Blues' and Willie Dixon's 'Little Red Rooster.'<br/><br/>There was the live debut of 'Worried About You,' not heard in studio form until 1981's Tattoo You, and more highlights from 'Honky Tonk Woman' to 'Hot Stuff.'<br/>Forty-five years on, this is a trip back to the intensity of the Crawdaddy Club in the Stones' earliest days, as revisited by the greatest rock 'n' roll band in the world.

5 x 180g Heavyweight Vinyl (LP1 Brand New 2021 Remaster of Tattoo You, LP2 Lost & Found: 9 Previously Unreleased Tracks, LP3, 4 & 5 "Still Life" Live At Wembley Stadium 1982).<br/><br/>Plus 124 page hardback book featuring over 200 rare photos from recording sessions & world tour + interviews with producer Chris Kimsey & photographer Hubert Kretzschmar + Lenticular Art.<br/><br/>The 40th anniversary remaster of the original 11-track album includes such enduring favourites as 'Hang Fire', 'Waiting On A Friend' (showcasing jazz saxophone giant Sonny Rollins) and of course the opening track that's been a band signature ever since, 'Start Me Up'. The deluxe formats will also include Lost & Found: Rarities and Still Life: Wembley Stadium 1982.<br/><br/>The Lost & Found disc contains no fewer than nine songs from the period of the album's original release, newly completed and enhanced with additional vocals and guitar by the band. Among these, 'Living In The Heart Of Love' is a quintessential Stones rock workout with all of the group on top form, complete with urgent guitar licks and fine piano detail.<br/> <br/>Other highlights of Lost & Found include a killer version of 'Shame, Shame, Shame', first recorded in 1963 by one of the band's blues heroes, Jimmy Reed; their reading of Dobie Gray's soul gem 'Drift Away'; and a fascinating reggae-tinged version of 'Start Me Up'.<br/><br/>Still Life: Wembley Stadium 1982 is an unmissable memento of the band's London show in June of that year on the Tattoo You tour. The mighty 26-track set is packed with Stones mega-hits, including an opening 'Under My Thumb' and all-time greats such as 'Let's Spend The Night Together', 'Honky Tonk Women' and 'Brown Sugar'.<br/> <br/>The Wembley show has covers of the Temptations' 'Just My Imagination,' Eddie Cochran's 'Twenty Flight Rock,' the Miracles' 'Going To A Go Go' and early rock 'n' roller the Big Bopper's 'Chantilly Lace.' It also features early live workouts for tracks from the then-new Tattoo You such as 'Start Me Up', 'Neighbours', 'Little T&A' and 'Hang Fire'.

Includes 4 x CDS (CD1 - Remastered Album, CD2 - Bonus 9 Tracks + CD 3 & 4 - "Still Life" (Wembley Stadium Concert 1982) + Keith Richards Picture Disc + 124 Page Book featuring over 200 rare photos from recording sessions & world tour + interviews with producer Chris Kimsey & photographer Hubert Kretzschmar + Lenticular Art.<br/><br/>The 40th anniversary remaster of the original 11-track album includes such enduring favourites as 'Hang Fire', 'Waiting On A Friend' (showcasing jazz saxophone giant Sonny Rollins) and of course the opening track that's been a band signature ever since, 'Start Me Up'. The deluxe formats will also include Lost & Found: Rarities and Still Life: Wembley Stadium 1982.<br/><br/>The Lost & Found disc contains no fewer than nine songs from the period of the album's original release, newly completed and enhanced with additional vocals and guitar by the band. Among these, 'Living In The Heart Of Love' is a quintessential Stones rock workout with all of the group on top form, complete with urgent guitar licks and fine piano detail.<br/> <br/>Other highlights of Lost & Found include a killer version of 'Shame, Shame, Shame', first recorded in 1963 by one of the band's blues heroes, Jimmy Reed; their reading of Dobie Gray's soul gem 'Drift Away'; and a fascinating reggae-tinged version of 'Start Me Up'.<br/><br/>Still Life: Wembley Stadium 1982 is an unmissable memento of the band's London show in June of that year on the Tattoo You tour. The mighty 26-track set is packed with Stones mega-hits, including an opening 'Under My Thumb' and all-time greats such as 'Let's Spend The Night Together', 'Honky Tonk Women' and 'Brown Sugar'.<br/> <br/>The Wembley show has covers of the Temptations' 'Just My Imagination,' Eddie Cochran's 'Twenty Flight Rock,' the Miracles' 'Going To A Go Go' and early rock 'n' roller the Big Bopper's 'Chantilly Lace.' It also features early live workouts for tracks from the then-new Tattoo You such as 'Start Me Up', 'Neighbours', 'Little T&A' and 'Hang Fire'.

"Let It Bleed" blev det sista albumet med medgrundaren Brian Jones, som avled tragiskt tidigare under året. Albumet, som är en hyllning till bandets musikaliska rötter, från blues och rock till country och gospel, innehöll inga hitsinglar, men flera av bandets odödliga klassiker finns med, som "Gimme Shelter" och "You Can't Always Get What You Want". <br/><br/>Limited edition hand-numbered box set.<br/>2 x 180-gram LPs in stereo and mono with restored original album art.<br/>2 x SACDs in stereo and mono housed in custom 12" sleeve.<br/>7" single of "Honky Tonk Women"/ "You Can't Always Get What You Want" in mono with original picture sleeve.<br/>80-page hardcover book with essay by David Fricke and never-before seen photos by Ethan Russell.<br/>Three 12"x12" hand-numbered, replica-signed lithographs printed on embossed archival paper, housed in foil-stamped envelope.<br/>Full-colour (23 x 23) poster with restored art from original 1969 Decca package. <br/>Remastered audio by Bob Ludwig at Gateway Mastering.

Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. Goats Head Soup Super Deluxe box sets features 35 tracks on three CDs & one Blu-ray disc (Dolby Atmos, 96kHz/24 bit high resolution stereo, and 96 kHz/24 bit DTS-HD Master Audio 5.1). Included are the new stereo album mix, sourced from the original session files, Rarities & Alternative mixes featuring three previously unreleased tracks, Scarlet, All The Rage & Criss Cross. <br/> <br/>Also included is The Brussels Affair, recorded live at the Forest National Arena in October 1973. The 4 discs are housed in the boxset alongside a 120 page book with an incredible array of photos and 3 essays. 50 Years On - An Appreciation of Goats Head Soup by Ian McCann, Brussels Affair Live 1973 Tour by Nick Kent & The Story Of The Cover Art by Darryl Easlea. The set is completed with 4 x 1973 reproduction tour posters, rolled up within the packaging to avoid creases.